Hilmar Jónsson

Thirty-year-old twins Jenna and Joni find out that their father has a third child. Sister Jóna lives in Iceland. The siblings' meeting will change everyone's world, relationships and future. As each searches for meaning in their own lives, surging between one father, two homelands and three adult siblings, from reunification to separation and back again. Over the years, the siblings encounter themselves and each other, their similarities and differences.

In the mid to late '90s, the Reykjavik crime and drug scene saw a drastic change from a relatively small and innocent world into a much more aggressive and violent one.. The film tells the story of this change through the fictional gang of pushers that took control of Iceland's underworld.

When Gunnar's son returns from vacation with a new girlfriend, Gunnar is forced into a dilemma that threatens to expose a dark family secret.

A 30-year-old slacker who lives with his mother finds his life turned upside down when his mother's flamenco-dancing friend moves in.

The star player of Icelands top football team causes a stir when he admits to being gay to his team mates and then goes on a journey to discover himself (with the help of the local press). He soon finds himself on the bench for most of his teams matches and decides to call it quits and join a small amateur team made up of men like himself - gay guys trying to play football in a straight world of Icelandic fishing culture machoism

Pétur is an optometrist happily married to Ásta. They are expecting a child but already have a 10 year old boy named Örn. On coincidense Pétur finds out that he is not Örn's biological father.

Gunna is driving a lonely mountain road when she suddenly runs out of gas. Luckily she sees a car parked a little further by the roadside. Clueless, she doesn´t notice that Jon, the driver, is planning a suicide, but asks him for help. Their acquaintance leads to a new turn of events.

No synopsis available yet.

The Icelandic Shock-Station is a thoroughbred Icelandic comedy, where the Icelander's daily life and habits are elevated to the level of farcical confusion and where all the laws of common sense are reversed in travesty of themselves, while at the same time the opportunity is taken to satirize some of the features the scriptwriter feels are blemish on the otherwise smooth facade of the nation's character.

Maria is somewhat of a rebel and problem child. Her mother died and her father remarried some awful lady, and Maria isn't happy at all. She takes a drug overdose and winds up in a home for other girls with problems, but the two women who run the place turn out to be not quite the ladies they seemed. Maria knows she can't stay there very long, and starts planning her escape.