Mohammad Reza Sohrabi

It’s an ironic portrayal of Iran’s history by the inhabitants of the city of Isfahan, presented in four parts, and about the wind that sweeps everything away.

A mosaic of stories explore Iranian modernity. Following a Persian literary model, personal dilemmas, fanciful speculations and historical motifs follow one another, establishing evocative correspondences between them. From the commitment with which the characters narrate events, it is clear that, beyond history, human time corresponds to myth and anecdote: mythological birds, misregistered surnames, scars from chemical weapons, and memories of deceased women.

A man has a marriage and divorce office and family counseling. His brother has become a host of foreign channels abroad and this issue has caused him many problems. On the advice of one of his friends, he goes on a trip to calm down the tense atmosphere and keep him away from the sidelines, and on the way he meets a young woman.