Janyl Jusupjan

In the vast plains of Kyrgyzstan, men have been cultivating a group sport with a long tradition. The aim of the game buzkashi is to steal the trophy of a dead goat from the rival team of riders, all while staying on horseback. Into this tough masculine world enters Atirkül, a woman with an enterprising spirit and a sense of humour. The film follows the everyday life of the headstrong horse lover Atirkül, whose ambition is to build her own buzkashi team of local young men to preserve the heritage of her native region. The ethnographic perspective alternates with a purely personal one, gradually revealing the possibilities of overcoming gender roles

The Kyrgyz government is offering humanitarian aid to ethnic Kyrgyz roaming the Wakhan Corridor in northeastern Afghanistan. Many inhabitants of this region leave their highland homes in search of a new life. Among those who get the opportunity to move to Kyrgyzstan with their family is Nurulkhak. Despite government support, education and housing, adapting to a new way of life is not easy. The difference in life experiences creates an abyss between locals and newcomers. Nurulkhak realizes that the urban way of life cannot give him the freedom that once accompanied him in nature.

In the vast plains of Kyrgyzstan, men have been cultivating a group sport with a long tradition. The aim of the game buzkashi is to steal the trophy of a dead goat from the rival team of riders, all while staying on horseback. Into this tough masculine world enters Atirkül, a woman with an enterprising spirit and a sense of humour. The film follows the everyday life of the headstrong horse lover Atirkül, whose ambition is to build her own buzkashi team of local young men to preserve the heritage of her native region. The ethnographic perspective alternates with a purely personal one, gradually revealing the possibilities of overcoming gender roles

In the vast plains of Kyrgyzstan, men have been cultivating a group sport with a long tradition. The aim of the game buzkashi is to steal the trophy of a dead goat from the rival team of riders, all while staying on horseback. Into this tough masculine world enters Atirkül, a woman with an enterprising spirit and a sense of humour. The film follows the everyday life of the headstrong horse lover Atirkül, whose ambition is to build her own buzkashi team of local young men to preserve the heritage of her native region. The ethnographic perspective alternates with a purely personal one, gradually revealing the possibilities of overcoming gender roles

The Kyrgyz government is offering humanitarian aid to ethnic Kyrgyz roaming the Wakhan Corridor in northeastern Afghanistan. Many inhabitants of this region leave their highland homes in search of a new life. Among those who get the opportunity to move to Kyrgyzstan with their family is Nurulkhak. Despite government support, education and housing, adapting to a new way of life is not easy. The difference in life experiences creates an abyss between locals and newcomers. Nurulkhak realizes that the urban way of life cannot give him the freedom that once accompanied him in nature.

The Kyrgyz government is offering humanitarian aid to ethnic Kyrgyz roaming the Wakhan Corridor in northeastern Afghanistan. Many inhabitants of this region leave their highland homes in search of a new life. Among those who get the opportunity to move to Kyrgyzstan with their family is Nurulkhak. Despite government support, education and housing, adapting to a new way of life is not easy. The difference in life experiences creates an abyss between locals and newcomers. Nurulkhak realizes that the urban way of life cannot give him the freedom that once accompanied him in nature.