Ewa Ziobrowska

A stonemason Ajio, quiet, honest and conscientious by nature, works on road construction in Lailonia. One day, a hump grows on his back, which quickly turns into Ajio's double. Ajio's double is aggressive, vicious and lazy. He quickly manages to convince those around him that he is the real Ajio. Soon an epidemic of humpbacks affects all the residents of Lailonia. Real people are replaced by their doubles. They are aggressive and imperious. Ajio's double takes over the city of humpbacks. Only Ajio's son manages to escape the city. He hopes that when he grows up - he will return and deal with the humpbacks.

A figure walks through empty space until it comes across walls that leave a permanent mark in it. It is possible to get rid of the mark with the help of another person, but passages through other walls will be more and more difficult. Instead of leaving traces, they will take over the figure’s individuality.

A figure walks through empty space until it comes across walls that leave a permanent mark in it. It is possible to get rid of the mark with the help of another person, but passages through other walls will be more and more difficult. Instead of leaving traces, they will take over the figure’s individuality.

A black silhouette wanders across some empty white space. In the background, we could see shapes of different equipment items. The routine of everyday life emerges from the play of black and white forms. The contrast between black and white (privacy) turns into grey reality outside the building. Loneliness changes into the indifference of passers-by.

A black silhouette wanders across some empty white space. In the background, we could see shapes of different equipment items. The routine of everyday life emerges from the play of black and white forms. The contrast between black and white (privacy) turns into grey reality outside the building. Loneliness changes into the indifference of passers-by.