Nicolas Philibert

A panel of people representing nothing at all tries to open supposedly easy-open packages.

A few years after the revocation of theEdict of Nantes, the Camisards, Protestants from the Cévennes region, mostly peasants and silk workers, formed groups following Gédéon Laporte and fought Louis XIV's dragoons.

From January to November 2004, as a kind of carnet de voyage alongside our other activities, we asked one and the same question of various people we met on our journeys, including friends: "Do you remember a moment in your life when something really changed?" We requested them to tell us a story to illustrate their reply, and we filmed them.

No synopsis available yet.

A filmmaker returns to Normandy thirty years after a working on a movie based on a local homicide and tries to find the actors who worked on the project.

This is a peaceful conversation between two filmmakers, Nicolas Philibert and Jean-Louis Comolli. A conversation, or the pleasure of spending time together. Nicolas Philibert describes with great precision his way of working and invites us to examine the ethical dimension of his process.

The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.

The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.

The Adamant is a unique day-care centre. A floating structure located on the Seine in the heart of Paris, it welcomes adults suffering from mental disorders, offering the kind of care that grounds them in time and space and helps them to recover or keep up their spirits. The team running it tries to resist the deterioration and dehumanisation of psychiatry as best as they can.

The Adamant is a unique day-care centre. A floating structure located on the Seine in the heart of Paris, it welcomes adults suffering from mental disorders, offering the kind of care that grounds them in time and space and helps them to recover or keep up their spirits. The team running it tries to resist the deterioration and dehumanisation of psychiatry as best as they can.

It is 1 p.m. on June 30, 1982, when Christophe Profit, 24, shows up at the foot of Les Drus with his pof bag, his climbing shoes and nothing else. He will try the west face of Les Drus in "solo", in the Mont Blanc massif by "Directe Américaine", 1100 meters of vertical and smooth rock. Christophe will achieve the feat of climbing the wall in free solo, without using a rope or any belaying technique. At 4:10 p.m., barely more than three hours after the start of his ascent, the new climbing star can embrace the Virgin of the Drus at the same time as the career of a high-level mountaineer. Three years later, on July 25, 1985, he climbed the north faces of the Matterhorn, the Eiger and the Jorasses in the same day. Awarded at many mountain film festivals, this great documentary is a magnificent testimony to one man's passion for climbing, the mountains and adventure.

A film about the preparation of the "Trilogy For a Single Man," about the medical and nutritional monitoring of French mountaineer Christophe Profit during his climbing "trilogy" and the period of intensive training that preceded one of the most fabulous "chains" ever made by a mountaineer. On March 12 and 13, 1987, Christophe Profit, then 26, successfully climbed the three largest north faces of the Alps in winter in 40 hours: Grandes Jorasses, Eiger, Matterhorn. But beyond this coverage of the event, it is the behind-the-scenes that is revealed, the story of this project, the ups and downs of its preparations and the personality of its author, a dancer of the verticals, who concentrates at his fingertips the energy and reflexes of life itself.

Excerpts from a reading of texts on the heroes of the Tour de France by Jacques Bonnaffé, accompanied by Louis Sclavis on clarinet and sax. Complementary bonus film to the DVD edition of "La Maison de la Radio" (November 2013).

Making a film about a radio station doesn’t sound like the most visually compelling of projects. How many takes do you need before the acoustic transition from the opening to the closing of a door is perfect or the reader's voice correctly modulated? Nicolas Philibert has accepted the challenge to portray that which cannot be seen. Shouldering his camera, he spent half a year wandering the endless corridors of Radio France’s ‘round house’ on the banks of the Seine where he filmed people who dedicate themselves utterly and meticulously to their work.

Making a film about a radio station doesn’t sound like the most visually compelling of projects. How many takes do you need before the acoustic transition from the opening to the closing of a door is perfect or the reader's voice correctly modulated? Nicolas Philibert has accepted the challenge to portray that which cannot be seen. Shouldering his camera, he spent half a year wandering the endless corridors of Radio France’s ‘round house’ on the banks of the Seine where he filmed people who dedicate themselves utterly and meticulously to their work.

We see how a show, created, improvised and acted by the collaboration of students at Strasbourg's National Theater, is developed from start to finish, in this documentary.

We see how a show, created, improvised and acted by the collaboration of students at Strasbourg's National Theater, is developed from start to finish, in this documentary.

Nénette, an orangutan, is the star of the Parisian zoo where she has lived most of her long life. She is a mother of four and has survived three mates, and she bonds only with a few select keepers. The camera rests throughout on Nénette and the other apes in everyday situations. We only see the visitors as occasional reflections in the glass, but we hear their recorded comments and conversations alongside interviews with the zoo keepers.

Nénette, an orangutan, is the star of the Parisian zoo where she has lived most of her long life. She is a mother of four and has survived three mates, and she bonds only with a few select keepers. The camera rests throughout on Nénette and the other apes in everyday situations. We only see the visitors as occasional reflections in the glass, but we hear their recorded comments and conversations alongside interviews with the zoo keepers.

A new shorter and uncensored TV version of Patrons - Télévision (1979). The dates "1978 / 1991" are used in reference to the "missing years", the amount of time during which the film was not authorized to be shown on TV in France.

A new shorter and uncensored TV version of Patrons - Télévision (1979). The dates "1978 / 1991" are used in reference to the "missing years", the amount of time during which the film was not authorized to be shown on TV in France.

Averroès and Rosa Parks: two units of the Esquirol Hospital, which - like the Adamant - are part of the Paris Central Psychiatric Group. From individual interviews to «carer-patient» meetings, the filmmaker focuses on showing a form of psychiatry that continually strives to make room for and rehabilitate the patients’ words. Little by little, each one eases open the door to their world. Within an increasingly worn-out health system, how can the forsaken be given a place among others.

Averroès and Rosa Parks: two units of the Esquirol Hospital, which - like the Adamant - are part of the Paris Central Psychiatric Group. From individual interviews to «carer-patient» meetings, the filmmaker focuses on showing a form of psychiatry that continually strives to make room for and rehabilitate the patients’ words. Little by little, each one eases open the door to their world. Within an increasingly worn-out health system, how can the forsaken be given a place among others.

A voyage into the museum's reserves, and part of the extra work involved to mount the expositions after the renovation of the Louvre in the 1980s, when the glass pyramid was added to the classic buildings. From the preservation rooms through the frame and painting retouches by experts, to the personnel instruction on how to be efficient in protecting the collections, and look nice to the visitors.

A voyage into the museum's reserves, and part of the extra work involved to mount the expositions after the renovation of the Louvre in the 1980s, when the glass pyramid was added to the classic buildings. From the preservation rooms through the frame and painting retouches by experts, to the personnel instruction on how to be efficient in protecting the collections, and look nice to the visitors.

Interview with Jean Oury, director of the La Borde psychiatric clinic. Complementary bonus film to the DVD edition of "La Moindre des Choses" (Every Little Thing), autumn 2002.

On the occasion of Catherine's 50th birthday, her parents, relatives, and friends step in front of the camera to wish her a happy birthday.

Every year, thousands of students – mostly female – embark upon courses that will lead them to become nurses. This film follows the ups and downs of an apprenticeship that will confront them, often at a young age, with human fragility, suffering, illness, the flaws in souls and bodies.

Every year, thousands of students – mostly female – embark upon courses that will lead them to become nurses. This film follows the ups and downs of an apprenticeship that will confront them, often at a young age, with human fragility, suffering, illness, the flaws in souls and bodies.

Jacques Lemonnier of IBM France, Francois Dalle of L'Oreal and other ultrapowerful French moguls are surprisingly candid -- and cold-blooded -- as they discuss their attitudes about business in this startling 1978 documentary. After sounding off about unions, strikes, hierarchy and management, the subjects realized how callous they sounded and managed to convince the French government to suppress the film.