Diego Andrés Murillo

A Venezuelan government official is sent to Switzerland to work on a project, strangely descending into sickness as unsettling events unfold back home.

A family painting triggers in the "The Young man" memories of his mother, the countryside, and his last lover, while doubt brings him closer to violence.

The deceased Venezuelan awaits, uncertain of what comes next. According to the machines, the voyage to paradise starts soon. But in digital purgatory, bureaucracy and control continue.

In the midst of winter, a Venezuelan woman exiled in Brooklyn deals with daily work, a recurring appearance and unsettling messages from back home.

A long-lasting lockdown. The last days of a grandmother. In between, a speculative film diary: a distant homeland, a grieving state possessed by light.

A machine-voice makes a "sad film of his homeland" for a dying patient to ease its passing: footage from Kennedy's visit to Venezuela in 61' creeps through montage errors, and a seemingly endless poem comes alive one last time.

A Venezuelan government official is sent to Switzerland to work on a project, strangely descending into sickness as unsettling events unfold back home.

A Venezuelan government official is sent to Switzerland to work on a project, strangely descending into sickness as unsettling events unfold back home.

A family painting triggers in the "The Young man" memories of his mother, the countryside, and his last lover, while doubt brings him closer to violence.

The deceased Venezuelan awaits, uncertain of what comes next. According to the machines, the voyage to paradise starts soon. But in digital purgatory, bureaucracy and control continue.

The deceased Venezuelan awaits, uncertain of what comes next. According to the machines, the voyage to paradise starts soon. But in digital purgatory, bureaucracy and control continue.

The deceased Venezuelan awaits, uncertain of what comes next. According to the machines, the voyage to paradise starts soon. But in digital purgatory, bureaucracy and control continue.

In the midst of winter, a Venezuelan woman exiled in Brooklyn deals with daily work, a recurring appearance and unsettling messages from back home.

In the midst of winter, a Venezuelan woman exiled in Brooklyn deals with daily work, a recurring appearance and unsettling messages from back home.

A long-lasting lockdown. The last days of a grandmother. In between, a speculative film diary: a distant homeland, a grieving state possessed by light.

A machine-voice makes a "sad film of his homeland" for a dying patient to ease its passing: footage from Kennedy's visit to Venezuela in 61' creeps through montage errors, and a seemingly endless poem comes alive one last time.

A machine-voice makes a "sad film of his homeland" for a dying patient to ease its passing: footage from Kennedy's visit to Venezuela in 61' creeps through montage errors, and a seemingly endless poem comes alive one last time.

A machine-voice makes a "sad film of his homeland" for a dying patient to ease its passing: footage from Kennedy's visit to Venezuela in 61' creeps through montage errors, and a seemingly endless poem comes alive one last time.

A Venezuelan city is emptying. A labor less priest struggles with a sonic sleep disorder while trying to safe-keep his meek buffalo from being taken. As the intentions of the remaining ones become more desperate, the priest’s malaise becomes more alive.

A Venezuelan city is emptying. A labor less priest struggles with a sonic sleep disorder while trying to safe-keep his meek buffalo from being taken. As the intentions of the remaining ones become more desperate, the priest’s malaise becomes more alive.

A Venezuelan city is emptying. A labor less priest struggles with a sonic sleep disorder while trying to safe-keep his meek buffalo from being taken. As the intentions of the remaining ones become more desperate, the priest’s malaise becomes more alive.

The director leaves his native country and adapts to new territories. Inside his work routine in a New York City restaurant, messages from his family come and go, shattered pieces of lost paradises.

An omnibus film made under the creative eye of Radu Jude, with the help of Cătălin Cristuțiu and the support of the Ticino Film Commission, RSI and Majid Foundation. Eleven directors from all over the world worked with the archive material provided by RSI to create their own films, which merged into this collective work that reflects on the meaning of images from the past to give them a new light.