Acting

Kazuyoshi Kanda

Acting credits

MAKING OF SHIROYASHA poster
NR

A behind the scenes documentary of Kenji Onishi's never completed 35mm feature film "Shiroyasha", shot between 2002 and 2004.

MAKING OF SHIROYASHA

2004

The Mirage, The Horizon poster
NR

Kenji Onishi’s 16mm independent road movie. Kazu and his girlfriend, Fusako, haven't been getting along lately. In Kazu's room, his friend suddenly dies of a heart attack. Desperate to do something, Kazu stuffs the body into the trunk of his car. Kazu suggests to Fusako that they take a trip to Hokkaido. Fusako wasn't very enthusiastic, but in the end, she's dragged along.

The Mirage, The Horizon

1997

F.F.F. UNCUT poster
10.0

A colourful video feature about young criminals, sex scenes and their bitter ends.

F.F.F. UNCUT

2002

F.F.F. poster
6.2

A colourful video feature about young criminals, sex scenes and their bitter ends.

F.F.F.

2002

F.F.F. (Short Version) poster
NR

A colourful feature about young criminals (Ominato Masao, Tachibana Kaoru, Tatesawa Sadoru), sex scenes and their bitter ends. Onishi again is using almost no dialogue, that does not make it easy to watch this film, but it makes so much sense. While killing and suffering or seldom enjoying nice and peaceful moments, what should they talk about?

F.F.F. (Short Version)

2002

The Mirage, The Horizon (Short Version) poster
NR

Kenji Onishi’s 16mm independent road movie. Kazu and his girlfriend, Fusako, haven't been getting along lately. In Kazu's room, his friend suddenly dies of a heart attack. Desperate to do something, Kazu stuffs the body into the trunk of his car. Kazu suggests to Fusako that they take a trip to Hokkaido. Fusako wasn't very enthusiastic, but in the end, she's dragged along.

The Mirage, The Horizon (Short Version)

1997

SWEAT OF FLOOR poster
NR

An improvised film sketch with professional actors.

SWEAT OF FLOOR

1997

PRAGUE poster
NR

A man fingering the girl before killing her. Camera cuts to blue sky and cat. A man choking his girl. Onishi at his usual with framing, extreme close-ups, expectations and black inserts.

PRAGUE

2003

Behind the camera