Su Yu-chun

In bustling Tokyo, Ren delivers delicate orchids across the city, carrying the weight of his mother's absence and years of silence between him and his father, until one delivery changes everything.

What words carry, what they miss, and what they connect. Yunmei has left her hometown of Taiwan to pursue a career as an actress in Japan. She’s been cast in the lead role of a film but struggles with her Japanese lines. Around the same time, her older sister, Huiling, who works for a major corporation in Taiwan, is transferred to Japan, and Yunmei helps her find a place to live. However, the two often clash. Real-life sisters and actors vividly portray these distant siblings, gently capturing the uncertainty of communication and the quiet moments when hearts unexpectedly connect.

A film about making films, we follow the exploits of Kiriko, an indie film director who is struggling to make a road movie that ends on a beach. Why do so many independent films have to have a beach scene? That is a question that gets asked along the way but her journey to the location is beset with difficulties, from budget to casting. There is only so much she can do and so she inches forward making compromises and finding ways around problems to realise her dream, all while living in the real world and fulfilling obligations to others as best she can.

Makoto is a high school student who works as a rental boyfriend for his classmates, particularly baseball-mad Natsumi. The girl yearns for Makoto and lavishes money on him which he saves up to buy a luxury pillow for his favourite friend, but, all is not as it seems…

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Those days were scoured between high-tide and low-tide. However, Sen always remember that the gravity of being stuck in the sand.When she raised her head, Fish and Mai were walking ahead.The sea breeze blew their backs into a mess, and she couldn't see those clearly. She yearned to get a little closer so much. We all are winds, rolling each other to dance together. And what we had, was the best moment in my life.

A man washes a stuffed pig in a laundromat in Taipei and a woman waits for someone else. Like mass-produced pigs, this is a brief encounter, one of the many chance encounters in life, but what we learn about the two and the life of the city seeps in and plays a long aftertaste.

One day, maverick Naomi appears before inmate Yuri in a facility where mirrors are forbidden. The facility regulates the inmates' lives, but Naomi abides by her own rhythm. A mirror fragment gets passed around among the inmates, who each react differently when they take a peek, but Naomi remains expressionless.

She just wanted to feel a little lighter—her body, her soul, everything. One day, as she left the swimming pool, Jade noticed her bag seemed to be dripping, the dampness seeping into her very being. Determined to shed it all, she made her choice…