Marcus Gale

A businessman in white shirt and tie drives alone on an isolated country road. He swerves for a passing truck and the result is a blowout. As he's changing the tire, an unseen assailant knocks him out. He awakes a few yards from the road, a large snake directly in front of him. The car's gone. He hitches to a diner where he sees his car in the parking lot, a backpack on the back seat. He enters the diner and watches the patrons. He makes a phone call. Is the sword of justice about to fall? Who's holding it?

For over 10 years beginning in the 1980s, Frances Wright shot mysterious orbs of light darting about the open skies near her isolated cottage, located in the scenic Blue Mountains region outside Sydney. Now, for the first time, this film discloses some of her extraordinary super-8 footage from that period. But newly discovered digital footage – unearthed after she inexplicably vanished – raises a bigger question: do we believe what we see, or do we see what we believe?

A businessman in white shirt and tie drives alone on an isolated country road. He swerves for a passing truck and the result is a blowout. As he's changing the tire, an unseen assailant knocks him out. He awakes a few yards from the road, a large snake directly in front of him. The car's gone. He hitches to a diner where he sees his car in the parking lot, a backpack on the back seat. He enters the diner and watches the patrons. He makes a phone call. Is the sword of justice about to fall? Who's holding it?

A businessman in white shirt and tie drives alone on an isolated country road. He swerves for a passing truck and the result is a blowout. As he's changing the tire, an unseen assailant knocks him out. He awakes a few yards from the road, a large snake directly in front of him. The car's gone. He hitches to a diner where he sees his car in the parking lot, a backpack on the back seat. He enters the diner and watches the patrons. He makes a phone call. Is the sword of justice about to fall? Who's holding it?

For over 10 years beginning in the 1980s, Frances Wright shot mysterious orbs of light darting about the open skies near her isolated cottage, located in the scenic Blue Mountains region outside Sydney. Now, for the first time, this film discloses some of her extraordinary super-8 footage from that period. But newly discovered digital footage – unearthed after she inexplicably vanished – raises a bigger question: do we believe what we see, or do we see what we believe?

For over 10 years beginning in the 1980s, Frances Wright shot mysterious orbs of light darting about the open skies near her isolated cottage, located in the scenic Blue Mountains region outside Sydney. Now, for the first time, this film discloses some of her extraordinary super-8 footage from that period. But newly discovered digital footage – unearthed after she inexplicably vanished – raises a bigger question: do we believe what we see, or do we see what we believe?

For over 10 years beginning in the 1980s, Frances Wright shot mysterious orbs of light darting about the open skies near her isolated cottage, located in the scenic Blue Mountains region outside Sydney. Now, for the first time, this film discloses some of her extraordinary super-8 footage from that period. But newly discovered digital footage – unearthed after she inexplicably vanished – raises a bigger question: do we believe what we see, or do we see what we believe?