Gérard Mordillat

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

No synopsis available yet.

In Montelimar, four young women whom life has not spared want to emerge from mediocrity. They decide to rob a bank, but everything is not so simple and the perfectly developed heist could turn into disaster.

Stumbling across an uncompleted 1939 film called "Princess Marushka", filmmaker Sam becomes intrigued with the young actor Sylvain Marceau, who last appeared in the film. Hoping to discover the mystery behind Sylvain's disappearance, Sam decides to make a documentary and sets off to interview those who knew Sylvain, including elderly Lisa Morain. Through her interview, Sam learns the story of Lisa and Sylvain's doomed love affair on the eve of World War II.

Long live the strike! Lucie Baud, one of the pioneers of the women's movement, went with creativity, fighting spirit and the power of singing against the weapons of male-dominated capitalist society in nineteenth-century France. The film, based on true events, describes the ambitious fight of a silk moth. She stood up for the rights of the female working class to end maltreatment and oppression once and for all. For the revolution in women's rights, she even put her family back and fought to the end for their beliefs.

A bombing raid makes travelling companions of a blind man, Fernand, and Antoine, a criminal. Fernand is a virgin and is depending on his new friend to find him a woman. But to Antoine, on the run, his fellow victim is more a burden than a boon.

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

No synopsis available yet.

Gérard Mordillat and Christophe Clerc interview 14 researchers from different countries and cultures about the notion of property. Where does it come from? How does it apply today to issues of the body, intelligence, and nature?

In Montelimar, four young women whom life has not spared want to emerge from mediocrity. They decide to rob a bank, but everything is not so simple and the perfectly developed heist could turn into disaster.

Stumbling across an uncompleted 1939 film called "Princess Marushka", filmmaker Sam becomes intrigued with the young actor Sylvain Marceau, who last appeared in the film. Hoping to discover the mystery behind Sylvain's disappearance, Sam decides to make a documentary and sets off to interview those who knew Sylvain, including elderly Lisa Morain. Through her interview, Sam learns the story of Lisa and Sylvain's doomed love affair on the eve of World War II.

Long live the strike! Lucie Baud, one of the pioneers of the women's movement, went with creativity, fighting spirit and the power of singing against the weapons of male-dominated capitalist society in nineteenth-century France. The film, based on true events, describes the ambitious fight of a silk moth. She stood up for the rights of the female working class to end maltreatment and oppression once and for all. For the revolution in women's rights, she even put her family back and fought to the end for their beliefs.

Long live the strike! Lucie Baud, one of the pioneers of the women's movement, went with creativity, fighting spirit and the power of singing against the weapons of male-dominated capitalist society in nineteenth-century France. The film, based on true events, describes the ambitious fight of a silk moth. She stood up for the rights of the female working class to end maltreatment and oppression once and for all. For the revolution in women's rights, she even put her family back and fought to the end for their beliefs.

A bombing raid makes travelling companions of a blind man, Fernand, and Antoine, a criminal. Fernand is a virgin and is depending on his new friend to find him a woman. But to Antoine, on the run, his fellow victim is more a burden than a boon.

Brittany is ethnically rather different from the rest of France and is the home of the largest number of Celtic-speakers outside of the British Isles and Ireland. This French film follows one young man who leaves his Breton homeland and journeys to Paris with the intention of living there. Despite some success in finding work and friends, Paris is not home and the Parisians are not family, so he returns to work with his own people.

Madeleine is with her lover, Jean-Paul, when her husband arrives home and catches the two together. Madeleine kills her husband and tells Jean-Paul to flee before the police arrive. After Jean-Paul drives away, he picks up a hitchhiker. When the car, stolen by the hitchhiker, explodes, police believe the dead hitchhiker is Jean-Paul. Madeleine takes up with Jean-Paul's brother, Bastien, while Jean-Paul, arriving in Strasbourg, is mistaken for the heir to a fortune. The detective on the case spends more time writing crime novels than investigating real-life crimes.

The French military is known for its draconian treatment of soldiers who desert or otherwise tangibly register disagreements with official policy. In this movie the story takes place during the Algerian War (late 1950s). Alain (Luc Thullier) is a deserter who has been sent back to the front lines as a member of a special disciplinary battalion. Such battalions are given only the most dangerous assignments, and most of the soldiers in them are expected to die in combat. As his unit skirmishes with the enemy, it suffers many losses until Alain is the only one left. Freed from supervision once more, he escapes again, this time to Tunisia, with the intention of trying to inform the French public about what is really happening in Algeria.

The French military is known for its draconian treatment of soldiers who desert or otherwise tangibly register disagreements with official policy. In this movie the story takes place during the Algerian War (late 1950s). Alain (Luc Thullier) is a deserter who has been sent back to the front lines as a member of a special disciplinary battalion. Such battalions are given only the most dangerous assignments, and most of the soldiers in them are expected to die in combat. As his unit skirmishes with the enemy, it suffers many losses until Alain is the only one left. Freed from supervision once more, he escapes again, this time to Tunisia, with the intention of trying to inform the French public about what is really happening in Algeria.

A student demonstration in Paris leads to an unexpected reunion between two childhood friends.

A student demonstration in Paris leads to an unexpected reunion between two childhood friends.

Billy Ze Kick is name of a fictional serial killer in a bedtime story that a police inspector reads to his daughter. Soon three girls turn up murdered in his neighbourhood, and the killer leaves a note signed "Billy Ze Kick."

Jacques Lemonnier of IBM France, Francois Dalle of L'Oreal and other ultrapowerful French moguls are surprisingly candid -- and cold-blooded -- as they discuss their attitudes about business in this startling 1978 documentary. After sounding off about unions, strikes, hierarchy and management, the subjects realized how callous they sounded and managed to convince the French government to suppress the film.

No synopsis available yet.

During the German occupation of France, a young woman - Marie - finds a Jewish boy in her room. His parents and other Jewish neighbors have been just been deported, but Maurice (the boy) escaped. Marie decides to hide him, secretly.

May, 1946, in Paris young poet Jacques Prevel meets Antonin Artaud, the actor, artist, and writer just released from a mental asylum. Over ten months, we follow the mad Artaud from his cruel coaching of an actress in his "theatre of cruelty" to his semi-friendship with Prevel who buys him drugs and hangs on his every word. Meanwhile, Prevel divides his time between Jany, his blond, young, drug-hazed mistress, and Rolande, his dark-haired, long-suffering wife, who has a child during this time. Cruelty, neglect, poverty, egoism, madness, and the pursuit of art mix on the Left Bank.

Several boys aged seven to fourteen, have formed their own secret support group as a result of parental neglect and abuse. The group is however more keen on revenge against the adults on their island. They break into houses and steal items, not for money, more for the thrill. They vandalize homes and torment the occupants. One man decides to seize the opportunity to do away with his wife and blame it on the intruders.

Several boys aged seven to fourteen, have formed their own secret support group as a result of parental neglect and abuse. The group is however more keen on revenge against the adults on their island. They break into houses and steal items, not for money, more for the thrill. They vandalize homes and torment the occupants. One man decides to seize the opportunity to do away with his wife and blame it on the intruders.

A large family crams into a three-room flat in a drab suburb.Twelve people ,soon joined,out of the blue, by the prodigal son, released from jail.To make matters worse,the TV set , then the sofa and finally the refrigerator vanish into thin air.Neverthelesss, life goes on ,with mom's nervous breakdowns , dad's absences ;The daughter, Julie, an abandoned social worker,is always sobbing ; her sister , rehearsing the "Hebrew slaves chorus" is eagerly waiting for her drafted fiancee.

A large family crams into a three-room flat in a drab suburb.Twelve people ,soon joined,out of the blue, by the prodigal son, released from jail.To make matters worse,the TV set , then the sofa and finally the refrigerator vanish into thin air.Neverthelesss, life goes on ,with mom's nervous breakdowns , dad's absences ;The daughter, Julie, an abandoned social worker,is always sobbing ; her sister , rehearsing the "Hebrew slaves chorus" is eagerly waiting for her drafted fiancee.

A new shorter and uncensored TV version of Patrons - Télévision (1979). The dates "1978 / 1991" are used in reference to the "missing years", the amount of time during which the film was not authorized to be shown on TV in France.

A new shorter and uncensored TV version of Patrons - Télévision (1979). The dates "1978 / 1991" are used in reference to the "missing years", the amount of time during which the film was not authorized to be shown on TV in France.

A new shorter and uncensored TV version of Patrons - Télévision (1979). The dates "1978 / 1991" are used in reference to the "missing years", the amount of time during which the film was not authorized to be shown on TV in France.

Jean and Paddy haven't recovered from Ben's death. Ben was Paddy's lover but also Jean's. Their threesome filled their existence. Today, while they still love each other, Jean and Paddy are torn apart.

Jean and Paddy haven't recovered from Ben's death. Ben was Paddy's lover but also Jean's. Their threesome filled their existence. Today, while they still love each other, Jean and Paddy are torn apart.

The story of 2 sailors on July 21 1969

While researching their subject’s life for their feature My Life and Times With Antonin Artaud, co-directors/writers Gerard Mordillat and Jerome Prieur made a documentary on the famed French actor/writer/poet that died in 1948 at the age of 51.

No synopsis available yet.

No synopsis available yet.

Video clip of Renaud's song.

A survivor of the first battles of the Franco-Prussian War of 1870 , soldier Charles-Henri Mondel, fleeing with the regiments from a rout of Mac-Mahon 's army , took refuge in the citadel of Bitche , the last French stronghold to resist the enemy's breakthrough.