Vilma Ramia

Benito Zamora, a conspirator against the Perezjimenista government, uses Leonor Montes, a young vedette friend of a colonel, to find information. National Security is pursuing Benito to dismantle the plot.

A terrible secret is hidden between the walls of an old house, the past returns and now, for Irene and Alberto, the moment of their condemnation and destruction has arrived.

María Eugenia Alonso, almost a woman, still an adolescent, returns from Europe to impose the light of her reason on that of her old house, a temple of boredom, where, as in the ancient and moist churches, the old smell of traditions and race floats.