Adam Cole

During the Great Depression, a mobster muscles in on the newest speakeasy but not if the head dancer has anything to say about it in "Silk Garter Club." "Greece: Our Girls Leave It In Ruins" features EB girls Tracey, Stacey and Sally Anne on location on the Greek island of Mykonos where they laze around the picturesque location naked and occasionally tell viewers how nice everything looks. There's also the second "History of Lingerie" segment covering the 1920s to present day, other soft core shorts and the unedited verison of Helix's R rated music video for "Gimme Gimme Good Lovin'".

Kiss/Crash uses AI technology to turn a car crash into a kiss, over and over again. As the minute long video progresses, the crashes increase in speed and the preceding images become more pornographic, violent and chaotic. Me Kissing Me transforms from a video of the artist kissing himself, into cinematic lovers, religious idols, political celebrities and uncanny creatures performing the same act while the artist's own image fades in and out. Finally, Crash Me, Gently allows the viewer to control the pace and intensity of the crash to kiss. Viewed on an old-school TV set, the viewer controls the piece using a foot pedal. The harder the pedal is pressed, the more dramatic, disjointed and extreme the ‘kiss’ images become.

During the Great Depression, a mobster muscles in on the newest speakeasy but not if the head dancer has anything to say about it in "Silk Garter Club." "Greece: Our Girls Leave It In Ruins" features EB girls Tracey, Stacey and Sally Anne on location on the Greek island of Mykonos where they laze around the picturesque location naked and occasionally tell viewers how nice everything looks. There's also the second "History of Lingerie" segment covering the 1920s to present day, other soft core shorts and the unedited verison of Helix's R rated music video for "Gimme Gimme Good Lovin'".

Kiss/Crash uses AI technology to turn a car crash into a kiss, over and over again. As the minute long video progresses, the crashes increase in speed and the preceding images become more pornographic, violent and chaotic. Me Kissing Me transforms from a video of the artist kissing himself, into cinematic lovers, religious idols, political celebrities and uncanny creatures performing the same act while the artist's own image fades in and out. Finally, Crash Me, Gently allows the viewer to control the pace and intensity of the crash to kiss. Viewed on an old-school TV set, the viewer controls the piece using a foot pedal. The harder the pedal is pressed, the more dramatic, disjointed and extreme the ‘kiss’ images become.