Eva Ebner

A bet pits a British inventor, a Chinese thief and a French artist on a worldwide adventure that they can circle the globe in 80 days.

Germany in the 50ies: A love story between an eastern spy and a western secretary who detects him (and her love) ...

When, before the revolution, accidentally arrested, the philistine - a tsarist civil servant of high status - falls in deep, lethargic sleep. 20 years later he wakes up and finds himself in a post-revolutionary, still young Soviet Union. He is stunned. He is shocked. But a philistine always finds his way.

A mysterious serial killer is shocking the underworld. Scotland Yard is investigating the case. Clues lead the detectives to Blackwhite Castle.

Anna, a creative schoolgirl, accidentally clones herself by hiding inside a mysterious talking copier in the teacher’s room. Suddenly confronted by two identical Annas, a whirlwind of misunderstandings and mischievous antics ensues at home and school. Through the chaos of juggling double chores, double friendships, and double secrets, Anna learns about responsibility, teamwork, and the value of her own unique self.

A drama directed by Martin Buchhorn based on the novel by Günter Grass. At the center of the film is artist Marcus Frank, who is informed by a talking rat about the imminent end of the world. Unfortunately, he does not take the signs of time seriously and rats conquer the earth, which cannot be stopped even by atomic bombs..

A crime writer on a train to Berlin shares her compartment with a mysterious man who claims to be a cannibal. Initially intrigued, she tries to humorously dismiss his claim while her imagination sparks a new novel featuring Detective Rosa Roth, who investigates a similar case. As the journey progresses, the writer’s confidence fades, replaced by fear and mistrust. The man’s behaviour becomes more unsettling, especially after a young girl reports inappropriate comments from him. In the dining car, he claims to have eaten a fellow passenger and reveals his tools are nearby. Despite her fear, the writer is drawn to learn more about his methods, blurring the lines between her novel and reality. Ultimately, her fantasy merges with reality, leading to dire consequences.

Film version of the musical by the same name: Sunnie, a girl from the province, comes to Berlin to meet rock star Johnnie who had given her his address after a concert. On the subway to Kreuzberg, Sunnie becomes acquainted with a couple of strange people, among them "asphalt cowboy" Bambi. Bambi tells Sunnie that Johnnie’s address in Kreuzberg does not exist. Together, Sunnie and Bambi try to find the rock star in bustling metropolitan Berlin.

Neurosia is the autobiography of the director Rosa von Praunheim. The movie begins with Rosa presenting his autobiography in a movie theater. Before the film begins, he is shot. But - his body gets lost. A female journalist from a TV station begins researching the life of Rosa. In the course of the movie she speaks to lots of aquaintances, shows short clips from Rosas old movies. Her main aim is to provide sensational and shocking details from Rosas life. It turns out that nearly everybody had some reason to kill Rosa. At the end of the movie, she discovers Rosa at a boat where he is kept prisoner by some of his old enemies. She frees him, and the movie ends.

A serial killer who calls himself "The Laughing Corpse" dresses up in a skeleton costume and kills his victims with a poison-filled scorpion-shaped ring.

Celebrated Swedish opera star Karin Anderson is slated to appear in an internationally-telecast production of Tannhauser. Ms. Anderson balks at the notion of working with obscure Hungarian conductor Zoltan Szanto. The much-anticipated production may never get off the ground, thanks to labor-management difficulties, intramural jealousies, and clashing egos. Amidst all this chaos, the mismatched Anderson and Szanto fall in love.

Baron Holberg, who looks back with pride on a long family tradition as hotel thieves, is horrified when his daughter Doris falls in love with the lawyer Robert Hammond, of all people, rather than choosing the art thief Sammy, as he would wish. Under the pretext that they are being pursued by the police, he lures his daughter away from the lawyer, but when he confesses the deception to her, Doris immediately sets off for Hammond's country estate near London. However, Hammond's father is not too fond of the connection either...

Scotland Yard investigates a series of murders where the victims have died by snake venom poisoning.

An American filmmaker travels to modern day Berlin to make a film based on a real-life incident from 1942 in which 13 Jewish prisoners from a concentration camp were promised freedom if they appeared in a German propaganda film. Unfortunately, the Germans lied. The psychological process undergone by the modern filmmaker while shooting the story provides the basis of this arty and challenging film.

Five more-or-less distinct sections, all featuring "Freak" Orlando, a woman played by the late Magdalena Montezuma, who appears in various guises and deformities throughout.

A rich man bequeaths seven keys to seven of his friends, but only one will unlock the door to untold wealth.

"Had it not been for Hitler, I would have been born a German-Jewish child, more German than Jewish, in a small village in the South of Germany. But as it happened, I was born in Argentina, my mothertongue is Spanish. I came to Germany 17 years ago." It is here, where author and director Jeanine Meerapfel starts searching for her own Jewish identity, being confronted time and time again with Federal Republic reality.

An encounter with a blind man ends unexpectedly for Susan Howard. The supposedly helpless man stuns and kidnaps her. The case is handed over by the Home Secretary to Sir John, the head of Scotland Yard. He entrusts Chief Inspector Higgins and Superintendent Lane with the investigation. Their investigations quickly lead Higgins and Lane on the trail of murder, white slavery and blackmail.

Crew and cast members talk about the making of the 1962 film 'Das Geheimnis der schwarzen Koffer'.

Eva Ebner is a Berliner who gives the appearance of being rather eccentric. She knows the film business inside out – regardless of whether she’s work- ing behind the camera as an assistant director or in front of it as an actor. Her name is closely associated with a series of now-legendary adaptations of Edgar Wallace’s crime novels which were made in Germany during the 1960s. Upcoming young directors from local film schools have also profited from Ms. Ebner’s unbroken enthusiasm and passion for film. However, this eighty-year-old has a more than broken relationship to the events of her childhood and youth in Gdansk – a time when her life was characterised by an anti-Semitic step-mother and the dangers posed by the Nazi regime. This film portrait does not eschew any of the long dark shadows of that era, nor does it sidestep any friction between portrayer and his subject. (Lothar Lambert)

The film mainly consists of various, often grotesque episodes. There is also a frame story from which the episodes are derived. However, the connection between the frame story and the episodes is very weak. Many episodes revolve around surveillance and security. In the frame story, insurance agent Erich and Richard are stuck together in an elevator that is unusually large for an apartment building (about 3x3 meters). While Erich wants to get out as quickly as possible, Richard isn't actually in any hurry, as he seems to live in the elevator.

After more than 40 years, this film takes Pierre Brice and Ralf Wolter back to the original locations of the legendary Karl May films. In impressive images, locations such as the Plitvice Lakes, the Mali Alan rock massif, the Zrmanja plateau, the Krka waterfalls and other filming locations are visited.

After his company went bankrupt, hobby musician Erik toured furniture stores on behalf of a furniture company to advertise their products. A task that would be easy to accomplish if it weren't for the criminal brother who steals some furniture and promptly ends up in jail again. In order to quickly raise the necessary money for the deposit, the half-hearted free-walker Goldi persuades Erik to organize a charity tour for his brother. The “tour to paradise” can begin.

This film tells the story of Markus Anatol Weisse, who, astonishingly enough, became an artist, in spite of being only very partially sighted. Markus also builds strange machine-like beings and wishes that he himself were a biological robot, or cyborg.

A trip through Lotti's horny life -- everything from her Aryan lover and her stay in a concentration camp while he is killed for their forbidden love -- is a fascinating look at this remarkable woman through the eyes and viewfinder of Rosa von Praunheim.