Directing
Cheryl Lynette Keyes
Known for
Directing
Credits
4 titles
Cheryl L. Keyes is the author of Rap Music and Street Consciousness (University of Illinois Press), which received a CHOICE award for outstanding academic book titles. She has written numerous journal articles, essays, and reviews on hip-hop/rap and African American popular music. Amongst her most recent essay is “Long Live Hip-Hop: Hamilton and the Death (and Rebirth) of Hip-Hop” in the edited volume Dueling Grounds: Revolution and Revelation in the Musical Hamilton. Professor Keyes served on the Executive Committee for the Smithsonian Folkways Recordings and the National Museum of African American History and Culture’s project, Smithsonian Anthology of Hip-Hop and Rap, and “stewarded the s…
Known for
Film credits
Behind the camera
Central Avenue thrived as a Black entertainment metropolis of Los Angeles during the 1920s through the mid-1950s. While it is often assumed that women who performed on Central Avenue were mainly vocalists, some of the most celebrated female instrumentalists in the history of jazz performed on this scene. When Central Avenue slowly closed its doors in the 1950s, many of these women instrumentalists continued to perform in Los Angeles and beyond. But more importantly, their legacy as "The First Ladies of the Horn" opened the doors for the next generation of women instrumentalists on the Los Angeles scene. Beyond Central Avenue documents the musical narratives of some of the leading contemporary female instrumentalists of Los Angeles and their impact on the music industry.
Beyond Central Avenue: Contemporary Female Jazz Instrumentalists of Los Angeles
2011
Central Avenue thrived as a Black entertainment metropolis of Los Angeles during the 1920s through the mid-1950s. While it is often assumed that women who performed on Central Avenue were mainly vocalists, some of the most celebrated female instrumentalists in the history of jazz performed on this scene. When Central Avenue slowly closed its doors in the 1950s, many of these women instrumentalists continued to perform in Los Angeles and beyond. But more importantly, their legacy as "The First Ladies of the Horn" opened the doors for the next generation of women instrumentalists on the Los Angeles scene. Beyond Central Avenue documents the musical narratives of some of the leading contemporary female instrumentalists of Los Angeles and their impact on the music industry.
Beyond Central Avenue: Contemporary Female Jazz Instrumentalists of Los Angeles
2011
Central Avenue thrived as a Black entertainment metropolis of Los Angeles during the 1920s through the mid-1950s. While it is often assumed that women who performed on Central Avenue were mainly vocalists, some of the most celebrated female instrumentalists in the history of jazz performed on this scene. When Central Avenue slowly closed its doors in the 1950s, many of these women instrumentalists continued to perform in Los Angeles and beyond. But more importantly, their legacy as "The First Ladies of the Horn" opened the doors for the next generation of women instrumentalists on the Los Angeles scene. Beyond Central Avenue documents the musical narratives of some of the leading contemporary female instrumentalists of Los Angeles and their impact on the music industry.
Beyond Central Avenue: Contemporary Female Jazz Instrumentalists of Los Angeles
2011
