Sara Ishanturaeva

Exposing nationalist tendencies in the development of architecture in Uzbekistan.

About the struggle of Uzbek women against the reactionary clergy in the 1920s.

Arslanbek Kalandarov became the chairman of the “Buston” collective farm during the war years. The poor village turned into a flourishing collective farm, and people got used to believing that this was the merit of the strong‑willed chairman. Kalandarov himself got used to this, and his word became law. He dismissed five secretaries of the party organization, turned the general meeting of collective farmers into an empty formality, and banned mechanized cotton harvesting in his collective farm. The district committee decided not to remove him from his position, but to try to re‑educate him.

Based on the play of the same name by the Uzbek poet, playwright, and composer Hamza Hakimzade Niyazi. Exposing the feudal way of life, the wealthy landowners (bais), the clergy, and Tsarist officials, the film depicts the awakening of class consciousness among working Uzbeks.