Joanna Jankowska

The final stage of the great artist's life, a stage in which Witkacy decides to destroy himself. A growing sense of danger, the futility of all actions, and fear of what is to come accompany him constantly during his escape from Warsaw to the East at the outbreak of World War II. Everyday facts and events are intertwined in the film with reminiscences and images from his life, supported by the artist's inner monologue. The style of narration and the way of filming make the film a poignant study of the writer's inner disintegration. By emphasizing the painterly quality of the image and introducing dreamlike themes, Kluba captures on screen the characteristics of both Witkacy's playwriting and painting.

The Borejko family has four daughters — Gabriela, Ida, Natalia and Patricia. Most concern causes the red-haired Ida, whose unusual ideas often end badly, though the girl has the best intentions. Her father, who works at the university as a classical philologist, gives her the idea to found a group called ESD. They want to try out the theory that you are more successful if you send out more positive signals to the environment. Soon this theory will be put to the test. Ida's mother has to go to the hospital and the entire burden of household chores falls on the children.