Saskia De Jong

Registration of the second theatre program by the Dutch cabaret troupe Rooyackers, Kamps & Kamps.

Registration of the fourth theatre program by the Dutch comedy troupe Rooyackers, Kamps & Kamps. In this performance, Bor Rooyackers, Tim and Wart Kamps are fleeing from the police in a small white car.

Registration of the first theatre program by the Dutch cabaret troupe Rooyackers, Kamps & Kamps, a mix of absurdism, mime, music and dance.

Registration of the theater revue of the same name by Alex Klaasen and Martine Sandifort. 'Volgend jaar lach je d'r om' has won the cabaret festival Cameretten in 2000 and was also awarded the Pall Mall Export Prize in 2000.

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

The Russian model city Ж has been completely shielded from change and reality. A poetic film-essay, The Radiant Screen explores this Soviet utopia which is cloaked behind a smokescreen of plutonium waste. Since the fall of the Soviet Union, it has consciously – and unconsciously – remained closed.

Registration of the second theatre program by the Dutch cabaret troupe Rooyackers, Kamps & Kamps.

Registration of the fourth theatre program by the Dutch comedy troupe Rooyackers, Kamps & Kamps. In this performance, Bor Rooyackers, Tim and Wart Kamps are fleeing from the police in a small white car.

Registration of the first theatre program by the Dutch cabaret troupe Rooyackers, Kamps & Kamps, a mix of absurdism, mime, music and dance.

Registration of the theater revue of the same name by Alex Klaasen and Martine Sandifort. 'Volgend jaar lach je d'r om' has won the cabaret festival Cameretten in 2000 and was also awarded the Pall Mall Export Prize in 2000.

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

The Russian model city Ж has been completely shielded from change and reality. A poetic film-essay, The Radiant Screen explores this Soviet utopia which is cloaked behind a smokescreen of plutonium waste. Since the fall of the Soviet Union, it has consciously – and unconsciously – remained closed.