W.Z. Oussama

Fleetingly all a person remembers about their experiences are images and fragments from the past.

A guy receives anonymous video tapes revealing him in strange acts. Struggling to reconcile between reality and the tapes, he's haunted by a question: is he the architect of his own unsettling actions or the victim of a sinister plot?

No synopsis available yet.

No synopsis available yet.

“He lived at a little distance from his body, regarding his own acts with doubtful side-glances. He had an odd autobiographical habit which led him to compose in his mind from time to time a short sentence about himself containing a subject in the third person and a verb in the past tense.”

One morning when Oussama founds himself merged with an unclear images of a person, unable to tell if its a lived memory or only a percived flashing dreams.

FOR THOSE WHO HAVE EYES

A detached street photographer obsessed with images documents life instead of living it. When he captures a real act of violence, his role as observer is quietly questioned

REMEMBERING IS NOT THAT EASY

In a mad world, only the mad are sane.

Fleetingly all a person remembers about their experiences are images and fragments from the past.

Following a mysterious entity through time.

A guy receives anonymous video tapes revealing him in strange acts. Struggling to reconcile between reality and the tapes, he's haunted by a question: is he the architect of his own unsettling actions or the victim of a sinister plot?

A guy receives anonymous video tapes revealing him in strange acts. Struggling to reconcile between reality and the tapes, he's haunted by a question: is he the architect of his own unsettling actions or the victim of a sinister plot?

A man wakes up in an abandoned hotel with no memory of how he got there. As he searches for a way out, the endless rooms and shifting landscapes turn his escape into a blind, surreal journey.

FOR THOSE WHO HAVE EYES

FOR THOSE WHO HAVE EYES

A detached street photographer obsessed with images documents life instead of living it. When he captures a real act of violence, his role as observer is quietly questioned

A detached street photographer obsessed with images documents life instead of living it. When he captures a real act of violence, his role as observer is quietly questioned

REMEMBERING IS NOT THAT EASY

REMEMBERING IS NOT THAT EASY

A compilation of images, texts, sounds and clips edited and filmed with a mobile phone