Arthur Jeanroy

Everything is ready. The purple chair beside the blossoming cherry tree. The camera. The framing. The light. It’s perfect. For Robert there is just one problem: Madeleine, his fiancée, who is sitting right in front of the camera with nothing but a t-shirt. And when he tries to convince her to dress up, an old lady arrives with some cherries from her garden.

Everything is ready. The purple chair beside the blossoming cherry tree. The camera. The framing. The light. It’s perfect. For Robert there is just one problem: Madeleine, his fiancée, who is sitting right in front of the camera with nothing but a t-shirt. And when he tries to convince her to dress up, an old lady arrives with some cherries from her garden.

Everything is ready. The purple chair beside the blossoming cherry tree. The camera. The framing. The light. It’s perfect. For Robert there is just one problem: Madeleine, his fiancée, who is sitting right in front of the camera with nothing but a t-shirt. And when he tries to convince her to dress up, an old lady arrives with some cherries from her garden.