Dmitri Popov

Hollywood, 1947. John Huston is shooting the final scene of his new film. The turbulent relationship between the film's two stars creates tension between the director and his crew. An ironic story about life on both sides of the camera.

How can I ‚hunt down‘ the man of my dreams? Or any man at all? How should I glance, how should I move, how should I bend down and obey – to attract male attention? For all these matters, there are special women’s courses and exercises available in post-communist Moscow. In a country where there are 5 millions more women as men, the „battle“ to find a man can sometimes assume existential proportions. They all have one basic insight in common, however: For a woman to find a good man, she has to start by working on herself…

Hollywood, 1947. John Huston is shooting the final scene of his new film. The turbulent relationship between the film's two stars creates tension between the director and his crew. An ironic story about life on both sides of the camera.

How can I ‚hunt down‘ the man of my dreams? Or any man at all? How should I glance, how should I move, how should I bend down and obey – to attract male attention? For all these matters, there are special women’s courses and exercises available in post-communist Moscow. In a country where there are 5 millions more women as men, the „battle“ to find a man can sometimes assume existential proportions. They all have one basic insight in common, however: For a woman to find a good man, she has to start by working on herself…