Martina Cruz

At a film festival, a filmmaker tries to figure out what the jury is looking for in order to win the award. But the fear of failure threatens to ruin more than just his career, while the search for recognition throws his own desires into crisis.

A daughter searches for a film script, driven by her father's last words: "I can't die because I didn't make a movie." The film is the incomplete and obscured unfolding of that man, that mystery: an unusual family man, with a variety of jobs and no success, who uses a camera like an obsessive, someone who lives his life observing others.

Chinski and Pastela reflect on love, sex, sadness, authenticity and the construction of our image and identity. An interaction that generates debate between two opposing individuals.

Omar is a left-wing activist who discovers a Che Guevara teddy bear by chance, inside a stuffed animal machine. Outraged, he tries to rescue it, but quickly discovers that he has not only the system against him, but also Nico, the employee of the month.

A documentary about the sea and memory. Its movement is its form. Its strength.

A daughter searches for a film script, driven by her father's last words: "I can't die because I didn't make a movie." The film is the incomplete and obscured unfolding of that man, that mystery: an unusual family man, with a variety of jobs and no success, who uses a camera like an obsessive, someone who lives his life observing others.

In the summer of 2000 in Ezeiza, in a neighborhood laundry, Azul and her grandmother Lydia washed, dried and ironed clothes. The tension between them grows around one issue: Azul doesn't know if she wants to be a washerwoman forever.