Jessica Swift

In the far future, a savage trained only to kill finds a way into the community of bored immortals that alone preserves humanity's achievements.

Prince Edward wants to marry for love, but the King and court of the Kingdom of Euphrania are anxious for the Prince to wed no matter what. When the Prince meets Cinderella at a ball, he's sure she's the one, and when she loses her slipper upon exiting the dance, the Prince is determined to find and marry her.

Kevin's wife walked out and left him holding the baby – no sleep, dirty nappies, and a career in pop music at risk. And ahead lies a visit to the clinic. Will Kevin succeed as a mother?

An extended, truly extraordinary animation sequence opens this hard-line, good-humoured work from the London Women’s Film Group. The film decodes the mythic story of Rapunzel, re-framing the folk tale in a variety of unlikely ways, revealing its darker edges and exploring its role in the relationship between patriarchy and childhood. Look out for Lora Logic from X-Ray Spex, plus Dave Swarbrick from Fairport Convention.