Macarena Rubio

In Boulogne, Buenos Aires, a 200-plus-year-old Japanese Minka (民家; literally translated as “house of the people”) stands as the oldest dwelling in Argentina. La Casa de Japón, a residence which also functions as a museum, contains one of the largest historical Japanese craft collections outside Japan. The Minka itself was dismantled and transported 20,000 km from the mountains of Fukui in Japan, via Nagoya, to Buenos Aires in the 1980s. More than two decades later, after years of careful planning, research and restoration, the museum opened its doors to the public in 2006.

Angelín is the most famous fugitive in the area for stealing mushrooms from the Cameros mountains in Spain. In this instructive, he teaches us his tricks to avoid being caught.

For ceramic artist Gaspar Gorodisch, clay is as fragile as the body that shapes it. He lets his pieces break, and in each fracture they become something else.

The great Schettinimous used to be a “psychomagician” artist, renowned in his youth. In present day, now an old man, he is invited to a television show to be parodied by the interviewer, which gives way to an emotional release that will put every decision he ever took in doubt.

In Boulogne, Buenos Aires, a 200-plus-year-old Japanese Minka (民家; literally translated as “house of the people”) stands as the oldest dwelling in Argentina. La Casa de Japón, a residence which also functions as a museum, contains one of the largest historical Japanese craft collections outside Japan. The Minka itself was dismantled and transported 20,000 km from the mountains of Fukui in Japan, via Nagoya, to Buenos Aires in the 1980s. More than two decades later, after years of careful planning, research and restoration, the museum opened its doors to the public in 2006.

Angelín is the most famous fugitive in the area for stealing mushrooms from the Cameros mountains in Spain. In this instructive, he teaches us his tricks to avoid being caught.

For ceramic artist Gaspar Gorodisch, clay is as fragile as the body that shapes it. He lets his pieces break, and in each fracture they become something else.

The great Schettinimous used to be a “psychomagician” artist, renowned in his youth. In present day, now an old man, he is invited to a television show to be parodied by the interviewer, which gives way to an emotional release that will put every decision he ever took in doubt.