Helene Winston

Samantha Stephens is a seemingly normal suburban housewife who also happens to be a genuine witch, with all the requisite magical powers. Her husband Darrin insists that Samantha keep her witchcraft under wraps, but situations invariably require her to indulge her powers while keeping her bothersome mother Endora at bay.

A realistic glimpse into the daily lives of the officers and detectives at an urban police station.

A continuation of the anthology series “Alfred Hitchcock Presents”, hosted by the master of suspense and featuring thrillers and mysteries.

Sergeant “Pepper"” Anderson, an undercover cop for the Criminal Conspiracy Unit of the Los Angeles Police Department, poses undercover from mob girl to prostitute.

30-year-old single Mary Richards moves to Minneapolis to start a new life after a romantic break-up. There she reacquaints with Phyllis who rents her a room, and meets her upstairs neighbor and new best friend Rhoda. Mary unexpectedly lands a job as associate producer at the TV station WJM, where she works alongside her bristly boss, Lou; the comical newswriter, Murray; and the newscast's often-incompetent anchor, Ted.

No synopsis available yet.

Samantha Stephens is a seemingly normal suburban housewife who also happens to be a genuine witch, with all the requisite magical powers. Her husband Darrin insists that Samantha keep her witchcraft under wraps, but situations invariably require her to indulge her powers while keeping her bothersome mother Endora at bay.

A realistic glimpse into the daily lives of the officers and detectives at an urban police station.

A continuation of the anthology series “Alfred Hitchcock Presents”, hosted by the master of suspense and featuring thrillers and mysteries.

Sergeant “Pepper"” Anderson, an undercover cop for the Criminal Conspiracy Unit of the Los Angeles Police Department, poses undercover from mob girl to prostitute.

Sergeant “Pepper"” Anderson, an undercover cop for the Criminal Conspiracy Unit of the Los Angeles Police Department, poses undercover from mob girl to prostitute.

30-year-old single Mary Richards moves to Minneapolis to start a new life after a romantic break-up. There she reacquaints with Phyllis who rents her a room, and meets her upstairs neighbor and new best friend Rhoda. Mary unexpectedly lands a job as associate producer at the TV station WJM, where she works alongside her bristly boss, Lou; the comical newswriter, Murray; and the newscast's often-incompetent anchor, Ted.

No synopsis available yet.

Micky, Mike, Peter, and Davy are four young men in mid-1960s LA, members of a struggling country-folk-rock band looking for their big break amid madcap encounters with a variety of people straight out of TV and movie central casting, with full knowledge that their existence is part of a weekly television series.

Micky, Mike, Peter, and Davy are four young men in mid-1960s LA, members of a struggling country-folk-rock band looking for their big break amid madcap encounters with a variety of people straight out of TV and movie central casting, with full knowledge that their existence is part of a weekly television series.

The misadventures of a cantankerous junk dealer and his frustrated son.

Wealthy, young-at-heart business owner Edward Stratton III is stunned to discover his brief marriage several years ago produced a son, Richard Bluedhorn-Stratton, now 12 and standing in Edward's living room, wanting to live with the father he never knew. Although Edward's first impulse is to send Ricky to boarding school, he soon relents and let his son move in with him and Kate, his love-struck secretary.

Laredo is an American Western television series that aired on NBC from September 16, 1965, to April 7, 1967. Laredo stars Neville Brand, William Smith, Peter Brown, and Philip Carey as Texas Rangers. It is set on the Mexican border about Laredo, Texas. The program was produced by Universal Television. The pilot episode of Laredo aired on NBC's The Virginian under the title, "We've Lost a Train". It was released theatrically in 1969 under the title Backtrack. Three episodes from the first season of the series were edited into the 1968 feature film Three Guns for Texas.

Folio, a precursor to CBC's renowned fine-arts series Festival, aired for four years starting in 1956. The series showcased original dramas, music compositions, and ballets, many originating from diverse regions across Canada. Notable episodes featured Barry Morse in a new staging of MacBeth, along with performances by Canadian talents like Robert Goulet and Sharon Acker. One of the highlights included a musical adaptation of the beloved Canadian classic, Anne of Green Gables. Airing without sponsorship, Folio thrived until its conclusion in the fall of 1960. Producers: Robert Allen, Harvey Hart, David Greene, Mario Prizek and Ronald Weyman.

Folio, a precursor to CBC's renowned fine-arts series Festival, aired for four years starting in 1956. The series showcased original dramas, music compositions, and ballets, many originating from diverse regions across Canada. Notable episodes featured Barry Morse in a new staging of MacBeth, along with performances by Canadian talents like Robert Goulet and Sharon Acker. One of the highlights included a musical adaptation of the beloved Canadian classic, Anne of Green Gables. Airing without sponsorship, Folio thrived until its conclusion in the fall of 1960. Producers: Robert Allen, Harvey Hart, David Greene, Mario Prizek and Ronald Weyman.

King of Kensington is a Canadian television sitcom which aired on CBC Television from 1975 to 1980. The show starred Al Waxman as Larry King, a convenience store owner in Toronto's Kensington Market who was known for helping friends and neighbours solve problems. His multicultural group of friends consisted of Nestor Best, Max, and Tony "Duke" Zarro, who hung around regularly to the perennial disapproval of King's mother Gladys. The show was popular with viewers; prior to the start of the fourth season one of the producers noted that show drew 1.5 to 1.8 million viewers weekly. For the first three seasons, Fiona Reid played his wife Cathy. At the end of the third season, Reid decided to leave the series, so Larry and Cathy divorced. The show never fully recovered its stride or chemistry as Larry pursued other relationships, most notably with Gwen Twining in the final season. The show's gentle but politically conscious humour is seen by some critics as a Canadian version of the topical Norman Lear sitcoms of the 1970s, such as All in the Family and Maude. The series was syndicated to some American stations during the height of its popularity, including WTTG in Washington, D.C.

First Performance is a Canadian dramatic television series which aired on CBC Television from 1956 to 1958.