Sara J. Asprilla Palomino

Neneco and Anwar are two teenagers living in the town of Bahía Cupica, Chocó. Due to the illness of Neneco’s sister, he’s put in charge of washing all of her clothes but the encounter with two women in the nearby brook forces them to take a detour to the outskirts of the town, before sunset, to unveil the past of Cupica.

Teyo, a young trans woman, prepares to enter her new female school. In the middle of a trip through Quibdó, a hot city of sound, rhythms and glances that she faces before entering class converge.

Dorotys dream was to dance and be recognized as the woman she was, but death came first. Her best friend Misael, a sixty-year-old gay man, will make it happen. Misael creates the first diverse folk dance group, questioning traditions that are defended by cultural values in order to erase their queerness.

Neneco and Anwar are two teenagers living in the town of Bahía Cupica, Chocó. Due to the illness of Neneco’s sister, he’s put in charge of washing all of her clothes but the encounter with two women in the nearby brook forces them to take a detour to the outskirts of the town, before sunset, to unveil the past of Cupica.

Neneco and Anwar are two teenagers living in the town of Bahía Cupica, Chocó. Due to the illness of Neneco’s sister, he’s put in charge of washing all of her clothes but the encounter with two women in the nearby brook forces them to take a detour to the outskirts of the town, before sunset, to unveil the past of Cupica.

Teyo, a young trans woman, prepares to enter her new female school. In the middle of a trip through Quibdó, a hot city of sound, rhythms and glances that she faces before entering class converge.

Dorotys dream was to dance and be recognized as the woman she was, but death came first. Her best friend Misael, a sixty-year-old gay man, will make it happen. Misael creates the first diverse folk dance group, questioning traditions that are defended by cultural values in order to erase their queerness.