Michael Christensen

In post-WWII New York, media propaganda, institutional power, and exploitation are interrogated amid the looming threat of a mysterious global virus.

Following a family of French Bulldog breeders in upstate New York, Whelp gives an intimate look into the breeding process against the polarized global debate surrounding this increasingly sought-after breed and the people who breed them.

The End of the Squirrel is an irreverent indie apocalypse film about two siblings stranded in an antique shop waiting for the impending zombie horde to break in and end their lives. A surrealist sequence provides a visual reflection on their time in the barn, scored by an original song played on a weathered piano uncovered among the mountains of ancient treasures.

In post-WWII New York, media propaganda, institutional power, and exploitation are interrogated amid the looming threat of a mysterious global virus.

In post-WWII New York, media propaganda, institutional power, and exploitation are interrogated amid the looming threat of a mysterious global virus.

Following a family of French Bulldog breeders in upstate New York, Whelp gives an intimate look into the breeding process against the polarized global debate surrounding this increasingly sought-after breed and the people who breed them.

Following a family of French Bulldog breeders in upstate New York, Whelp gives an intimate look into the breeding process against the polarized global debate surrounding this increasingly sought-after breed and the people who breed them.

The End of the Squirrel is an irreverent indie apocalypse film about two siblings stranded in an antique shop waiting for the impending zombie horde to break in and end their lives. A surrealist sequence provides a visual reflection on their time in the barn, scored by an original song played on a weathered piano uncovered among the mountains of ancient treasures.

The End of the Squirrel is an irreverent indie apocalypse film about two siblings stranded in an antique shop waiting for the impending zombie horde to break in and end their lives. A surrealist sequence provides a visual reflection on their time in the barn, scored by an original song played on a weathered piano uncovered among the mountains of ancient treasures.