Theo Barnard

"If I can't abandon you, then how can I save you?"

A woman attempts to reconcile with her identity as she delves deeper into her violent, overbearing paranoia, colliding with her attempts to find herself or take comfort in memories past.

A woman lies dead, covered by nature, in the Garden of Eden.

A loose sequel to "Self Reflection", "Inner Reflection" is about art, memories, filmmaking, and the director themselves, told through disconnected visuals and a man suffering from violent delusions.

A man begins to cut himself due to past memories and disturbing imagery that haunts him.

A slice of toast is not what it seems.

"If I can't abandon you, then how can I save you?"

A woman attempts to reconcile with her identity as she delves deeper into her violent, overbearing paranoia, colliding with her attempts to find herself or take comfort in memories past.

A woman attempts to reconcile with her identity as she delves deeper into her violent, overbearing paranoia, colliding with her attempts to find herself or take comfort in memories past.

A woman attempts to reconcile with her identity as she delves deeper into her violent, overbearing paranoia, colliding with her attempts to find herself or take comfort in memories past.

A woman lies dead, covered by nature, in the Garden of Eden.

A woman lies dead, covered by nature, in the Garden of Eden.

A loose sequel to "Self Reflection", "Inner Reflection" is about art, memories, filmmaking, and the director themselves, told through disconnected visuals and a man suffering from violent delusions.

A man begins to cut himself due to past memories and disturbing imagery that haunts him.

A slice of toast is not what it seems.

A field full of sheep is observed through the camera, preserving that moment in time forever.

Painful memories are unleashed following an act of violent suicide.

Painful memories are unleashed following an act of violent suicide.

Three segments displaying various forms of suicide. Ritualistic suicide, cutting & an overdose are shown with surrealist elements and disturbing results.

Yet another field of sheep is observed in this short sequel to the orignal Field of Sheep.

An examination of a mind as it begins to decay, using surreal imagery and a narrative of someone going down a path of self destruction.

A Surrealist dream/nightmare is explored in one of the very first short films by the director.

A serial killer stalks and kills his victim, filming the whole process himself.

Memories, places and experiences are compiled in a short film showing the filmmakers own diary of various places within Japan.

A man records himself committing a violent suicide.

An experimental exploration of past memories using both surreal video footage and original photography.