Martina Mele

A woman and a crowd of men inhabit a gloomy building. One day at the top of the huge staircase a caw is heard.

Fragments of the image of Switzerland in the 1970s and Italy in the 2000s alternate under the passage of moments of real life, of collective memory, reconstructing a family imaginary dissipated by time.

It is the middle of August in an apartment in the Roman suburbs. Tommaso is a teenager and is subjected to the teasing of his older brother Leonardo, who calls him "Pelorosso" because of his coppery hair. If he wants his brother to stop teasing him, Tommaso will have to cut his hair.

A woman and a crowd of men inhabit a gloomy building. One day at the top of the huge staircase a caw is heard.

Fragments of the image of Switzerland in the 1970s and Italy in the 2000s alternate under the passage of moments of real life, of collective memory, reconstructing a family imaginary dissipated by time.

It is the middle of August in an apartment in the Roman suburbs. Tommaso is a teenager and is subjected to the teasing of his older brother Leonardo, who calls him "Pelorosso" because of his coppery hair. If he wants his brother to stop teasing him, Tommaso will have to cut his hair.