Mira Hamermesh

Directing

Mira Hamermesh

Born — Died

1923-07-15 — 2012-02-19

Place of birth

Łódź, Poland

Known for

Directing

Credits

6 titles

Mira Hamermesh (1923-2012) was considered one of the most gifted documentary makers of her generation. Born to a middle-class Jewish family in Poland but spending most of her working life in the UK, she was a passionate feminist whose main subjects were women, war and social injustice. She was also the author, and a painter of distinction, with exhibitions in Jerusalem and London.

Known for

Behind the camera

Passport poster
NR

A Kafkaesque story of the bureaucracy which governs our lives. A young man leaves his passport on a train and loses his identity in a mire of forms, documents and officialdom.

Passport

1967

Passport poster
NR

A Kafkaesque story of the bureaucracy which governs our lives. A young man leaves his passport on a train and loses his identity in a mire of forms, documents and officialdom.

Passport

1967

Passport poster
NR

A Kafkaesque story of the bureaucracy which governs our lives. A young man leaves his passport on a train and loses his identity in a mire of forms, documents and officialdom.

Passport

1967

No artwork available
NR

Follows the friendship between an Israeli magazine editor, Chaim Shur, and a Palestinian journalist, Muna Hamzeh.

Talking to the enemy - Voices of sorrow and rage

1987

No artwork available
NR

Over a million black women live in a state of domestic bondage, underpaid, working long hours, at the mercy of draconian laws which separate them from their own families. This powerful 1985 documentary, shot in South Africa, examines the tragedy of Apartheid through the complex relationship between a black household worker and her white employer. This domestic situation is a microcosm of the situation at large.

Maids and Madams

1985

No artwork available
NR

Over a million black women live in a state of domestic bondage, underpaid, working long hours, at the mercy of draconian laws which separate them from their own families. This powerful 1985 documentary, shot in South Africa, examines the tragedy of Apartheid through the complex relationship between a black household worker and her white employer. This domestic situation is a microcosm of the situation at large.

Maids and Madams

1985