Mohamed Allam

The events of the film take place between 97 and 98, two years after his disappearance. Sahar finds her friend Hani's videotapes and decides to watch them to get to know him better and her relationship with him during this time. Hani is a young man who has almost finished his university studies and lives with his family in Cairo, but his father works in Kuwait. He loves metal music and photography. His camera is always in his hand, and he documents what is going on around him in his room. We also see his friend Sameer and their friend Sahar. He also goes out to film some situations. Public and private occasions.

The characters lead us into a debate about the concept of anger through different experiences and aspects. Each chapter is intertwined with parallel images of movement and place to discuss our relationship with states of anger, how anger shapes our feelings towards people and things, and how it shapes our culture in general.

The events of the film take place between 97 and 98, two years after his disappearance. Sahar finds her friend Hani's videotapes and decides to watch them to get to know him better and her relationship with him during this time. Hani is a young man who has almost finished his university studies and lives with his family in Cairo, but his father works in Kuwait. He loves metal music and photography. His camera is always in his hand, and he documents what is going on around him in his room. We also see his friend Sameer and their friend Sahar. He also goes out to film some situations. Public and private occasions.

The events of the film take place between 97 and 98, two years after his disappearance. Sahar finds her friend Hani's videotapes and decides to watch them to get to know him better and her relationship with him during this time. Hani is a young man who has almost finished his university studies and lives with his family in Cairo, but his father works in Kuwait. He loves metal music and photography. His camera is always in his hand, and he documents what is going on around him in his room. We also see his friend Sameer and their friend Sahar. He also goes out to film some situations. Public and private occasions.

The characters lead us into a debate about the concept of anger through different experiences and aspects. Each chapter is intertwined with parallel images of movement and place to discuss our relationship with states of anger, how anger shapes our feelings towards people and things, and how it shapes our culture in general.