Yvette Etiévant

Dr. Génessier is riddled with guilt after an accident that he caused disfigures the face of his daughter, the once beautiful Christiane, who outsiders believe is dead. Dr. Génessier, along with accomplice and laboratory assistant Louise, kidnaps young women and brings them to the Génessier mansion. After rendering his victims unconscious, Dr. Génessier removes their faces and attempts to graft them on to Christiane's.

Sophie and Elis, two young women at the Conservatory of Vienna. vie for the affection of head singing teacher Walter.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

An inexperienced, sickly priest shows up in the rural French community of Ambricourt, where he joins the community's clergy. But the locals don't take kindly to the priest, and his ascetic ways and unsociable demeanor make him an outcast. During Bible studies at the nearby girls school, he is continually mocked by his students. Then his attempt to intervene in a family feud backfires into a scandal. His failures, compounded with his declining health, begin to erode his faith.

Assigned to South America, US official Philip Michael Santore is employed by a counterinsurgency agency. His position makes him a target for a local band of guerrillas, and, before long, Santore is kidnapped. As a prisoner, he undergoes interrogation, shedding light on the violent situation in the country. Once the insurgents are done with their questioning, they must decide whether Santore lives or dies.

Thérèse, a young flower girl, tries hard to remain virtuous but the whole world seems to conspire against her, whether her petty Paris family, or her relatives in the province bristling with false respectability, or her lustful employer, or the boy she loves who seduces her and abandons her. But at the end of the day there is Yvon, her childhood friend. Will he be the one that will love her truly?

Recovering from an attempted suicide, a man is selected to participate in a time travel experiment that has only been tested on mice. A malfunction causes the man to experience moments from his past in a random order.

On his way from Madrid to Paris, Diego, a chief of the Spanish Communist Party, is arrested at the border for an ID check but manages to flee. When he arrives in Paris, he searches for one of his comrades to prevent him from going to Madrid where he could be arrested.

For generations, two rival French villages, Longueverne and Velrans, have been at war. But this is no ordinary conflict, for the on-going hostilities are between two armies of young schoolboys. When he is beaten by his father for having lost his buttons, the leader of the Longueverne army, Lebrac, has an idea which will give his side the advantage: next time, he and his brave soldiers will go in battle without their clothes...

A love story that follows the maneuverings of a society lady as she connives to initiate a scandalous affair between her aristocratic ex-lover and a prostitute.

Elisabeth and Simon have been deeply in love for two months when Simon momentarily dies, but returns to life. Despite declining further medical tests, the couple are forced to grapple with the possibility of his death. Eventually, they tell their close friends Jérôme and Judith Martignac about the event. The Martignacs are both clerics, and Judith has just been giving a funeral service for a villager who committed suicide, though Jérôme would have nothing to do with suicide...

A wealthy widow, Natercia, helps Alain, a poor young man, to put together the film he plans to make. They decide to pool their resources to make the project a reality. At the first screening, Natercia realizes that Alain no longer needs her.

Hélène has an affair with Alain for ten years, but does not want to divorce her husband. Alain receives one letter from a girl Michelle one day. Hélène, who is very jealous, receives that letter by chance and interprets it incorrectly.

In 1786, Jocelyn entered the Seminary. He leaves his share of the inheritance to his younger sister Julie. In 1793, on the point of being ordained a priest, the Revolution forced him to take refuge in the Alps. There he meets Laurence, first disguised as a young boy. A great friendship binds them which turns into love when Jocelyn discovers the girl's true identity. Yet faithful to the promise he made to the Superior of his Seminary, Jocelyn will not abandon his faith.

Claire's handbag is stolen. It contained a letter written ten years previously by the man who is now the French President. In the letter, he urges his pregnant mistress to have an abortion. Claire immediately alerts the President's men. From that moment, the machinery of state swings into action.

Captain Joris Kniper believes so strongly that he is "skipper next to God" that he is used to playing God on his ship. Tough and bossy, he gives orders which are not to be discussed. But, some day, he is driven to accept on board several German Jews fleeing the nazis and who are refused asylum everywhere. He gradually realizes that skipper he is, but next to God only.The Bible will help him to find the way to self-questioning, awareness and charity.

A woman in Paris hires a taxi driver to locate her ex-lover, father to her newborn child, who left her without leaving an address.

When film director Mathieu casts a famous actress to portray a character based on his aspiring-actress wife, he creates a rift in his marriage. French filmmaker Philippe Garrel's family members portray versions of themselves in this lyrical drama.

During a stay at a roadside inn, long-distance lorry driver Jean Viard meets a young woman Clothilde who works there. Their friendship soon develops into a passionate love affair, even though Jean is already married and is old enough to be Clothilde’s father. Things take a turn for the worse when Jean loses his job and his wife finds out about his affair. But Clothilde’s predicament is even more distressing...

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

As part of the fascination in post World War II France with American culture, a young French couple here travel to the US to see for themselves the prosperity they have heard about.

Three friends leave their village for a retirement home travelling the countryside

A young, talented and ambitious journalist, Louis heads off to try his luck in Paris. He's spotted by Walter, editor-in-chief for a major daily newspaper, who takes to him and furthers his career. What he doesn't realise is that Louis is ready to betray anyone to achieve his ends...

Mathilde Stangerson just married her fiance, when she heard that Larsan, her cruel former husband, whom she believed to be dead, is actually very much alive. Taking refuge to her castle, she appealed to the journalist Rouletabille to protect her.