Antoine Vitez

Acting

Antoine Vitez

Born — Died

1930-12-20 — 1990-04-30

Place of birth

Paris, France

Known for

Acting

Credits

18 titles

Antoine Vitez (December 20, 1930–April 30, 1990) was a French actor, director, and poet. He was born in Paris, France and became an actor at the age of 19. He was director of the Théâtre national de Chaillot for seven years before being named to head the Comedie Francaise, a French theater company. Description above from the Wikipedia article Antoine Vitez, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known for

Le Grand Échiquier poster
8.0

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

Le Grand Échiquier

1972

The Confession poster
7.3

In 1950s communist Czechoslovakia, a government minister, a war veteran long a loyal party man, leads a relatively comfortable life with his wife. However, he soon finds himself under surveillance, then under arrest. Unclear what his offense is, agents for the totalitarian regime interrogate and torture him, aiming to use their unending power to gain a false confession for these supposed crimes against the state.

The Confession

1970

My Night at Maud's poster
7.6

Devout Roman Catholic Jean-Louis subscribes to an austere moral code influenced by the philosophy of 17th-century physicist Blaise Pascal. When he spots a pretty girl at church, he promises to one day marry her. But then an old friend introduces him to alluring divorcee Maud. After a conversation about love and credo, the chaste Jean-Louis spends the night at Maud's, conflicted about his desires.

My Night at Maud's

1969

The War Is Over poster
6.5

On his way from Madrid to Paris, Diego, a chief of the Spanish Communist Party, is arrested at the border for an ID check but manages to flee. When he arrives in Paris, he searches for one of his comrades to prevent him from going to Madrid where he could be arrested.

The War Is Over

1966

The Green Room poster
6.7

A widower maintains a memorial room filled with his late wife's belongings. When fire destroys it, he transforms a chapel into a new shrine to preserve her memory.

The Green Room

1978

A Modern Coed poster
5.5

Eric Rohmer directs this short documentary that narrates the presence of women in French universities as of the time of its release -- 1966. During the film's short run, the narrator continues to point out that during the advent of World War II, only 21,000 women attended college and made only a 30 % of the student body, a number that by the 1964-1965 school year had passed the 120,000 mark. Instead of opting to live according to what was expected of them, now they were joining the work force, trading in aprons for lab jackets and becoming professionals even after getting married.

A Modern Coed

1966

Film credits

1980s · 3 titles

1970s · 5 titles

1960s · 7 titles

My Night at Maud's poster
7.6

Devout Roman Catholic Jean-Louis subscribes to an austere moral code influenced by the philosophy of 17th-century physicist Blaise Pascal. When he spots a pretty girl at church, he promises to one day marry her. But then an old friend introduces him to alluring divorcee Maud. After a conversation about love and credo, the chaste Jean-Louis spends the night at Maud's, conflicted about his desires.

My Night at Maud's

1969

The War Is Over poster
6.5

On his way from Madrid to Paris, Diego, a chief of the Spanish Communist Party, is arrested at the border for an ID check but manages to flee. When he arrives in Paris, he searches for one of his comrades to prevent him from going to Madrid where he could be arrested.

The War Is Over

1966

A Modern Coed poster
5.5

Eric Rohmer directs this short documentary that narrates the presence of women in French universities as of the time of its release -- 1966. During the film's short run, the narrator continues to point out that during the advent of World War II, only 21,000 women attended college and made only a 30 % of the student body, a number that by the 1964-1965 school year had passed the 120,000 mark. Instead of opting to live according to what was expected of them, now they were joining the work force, trading in aprons for lab jackets and becoming professionals even after getting married.

A Modern Coed

1966

No artwork available
NR

A woman comes home from a long illness (read: a long absence). The city hasn't changed, the man she's returning to has. She will have to learn how to live all over again.

Le Passage

1965

Changing Landscapes poster
7.4

A sophisticated and beautifully constructed account of landscape change in and around Paris in the early 1960s. The film raises complex issues about the meaning and experience of modern landscapes and the enigmatic characteristics of features such as canals, pylons and deserted factories. Rohmer also explores the role of landscape within different traditions of modern art and design and refers to specific architects, artists and engineers.

Changing Landscapes

1964

La Sorcière de Michelet poster
NR

The film traces the history of witchcraft through Michelet's text, paintings, engravings, and film clips by Carl Th. Dreyer and Ingmar Bergman.

La Sorcière de Michelet

1969

Perceval ou le Conte du Graal poster
7.0

Documentary on “Perceval, the Story of the Grail”, written by Chrétien de Troyes in the 12th century.

Perceval ou le Conte du Graal

1965

Series credits

Behind the camera