Margarethe von Trotta

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No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

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Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.

Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.

Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Der Fall von nebenan is a German television series.

A French-language anthology of seven famous, fantastic, and psychological stories by beloved American author Henry James.

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Motiv Liebe is a German television series.

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Unter einem Dach is a German television series.

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The spirit of this series is very unusual but not fantastic. In these stories, the unusual is capricious everyday life, offbeat realism, that is to say that the facts are ordinary until the moment when the situation slips into the unusual.

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A portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.

A portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.

Polish socialist and Marxist Rosa Luxemburg works tirelessly in the service of revolution in early 20th century Poland and Germany. While Luxemburg campaigns for her beliefs, she is repeatedly imprisoned as she forms the Spartacist League offering a new vision for Germany.

Polish socialist and Marxist Rosa Luxemburg works tirelessly in the service of revolution in early 20th century Poland and Germany. While Luxemburg campaigns for her beliefs, she is repeatedly imprisoned as she forms the Spartacist League offering a new vision for Germany.

After a chance encounter with a wanted man, a woman is harassed by the police and press until she takes violent action.

After a chance encounter with a wanted man, a woman is harassed by the police and press until she takes violent action.

Successful architect Robert has a one-night stand with a mysterious lady in red. The next day they meet again, but Carolin is now a corporate lawyer working on a major contract for Robert ...

A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.

A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.

To escape his crumbling marriage, German journalist Laschen travels to Beirut during the fights between Christians and Palestinians to produce an essay. Together with his photographer, he meets some influential people and discovers the everyday face of the war.

By chance Paul Kromberger discovers on the internet a photograph of the US opera diva Caterina Fabiani who is the spitting image of Evelyn, his dead wife. His unease and growing sense of alarm are transferred to his daughter, Sophie. Filled with curiosity, she leaves Germany and journeys across the Atlantic to make contact with this stranger.

By chance Paul Kromberger discovers on the internet a photograph of the US opera diva Caterina Fabiani who is the spitting image of Evelyn, his dead wife. His unease and growing sense of alarm are transferred to his daughter, Sophie. Filled with curiosity, she leaves Germany and journeys across the Atlantic to make contact with this stranger.

A countess loves her brother's Prussian-officer friend in the 1919 Baltic area.

Two women–a literature professor and a painter–start to rely upon their friendship as an alternative to their unhappy relationships with the men in their lives.

Two women–a literature professor and a painter–start to rely upon their friendship as an alternative to their unhappy relationships with the men in their lives.

When Ingeborg Bachmann and Max Frisch meet for the first time in Paris in the summer of 1958, they are already international celebrities of the literary world. In the four years that follow, they dabble in great love and an open relationship between his hometown of Zurich and her adopted Rome.

When Ingeborg Bachmann and Max Frisch meet for the first time in Paris in the summer of 1958, they are already international celebrities of the literary world. In the four years that follow, they dabble in great love and an open relationship between his hometown of Zurich and her adopted Rome.

When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?

When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?

East-Berlin, 1961, shortly after the erection of the Wall. Konrad, Sophie and three of their friends plan a daring escape to Western Germany. The attempt is successful, except for Konrad, who remains behind. From then on, and for the next 28 years, Konrad and Sophie will attempt to meet again, in spite of the Iron Curtain. Konrad, who has become a reputed Astrophysicist, tries to take advantage of scientific congresses outside Eastern Germany to arrange encounters with Sophie. But in a country where the political police, the Stasi, monitors the moves of all suspicious people (such as Konrad's sister Barbara and her husband Harald), preserving one's privacy, ideals and self-respect becomes an exhausting fight, even as the Eastern block begins its long process of disintegration.

East-Berlin, 1961, shortly after the erection of the Wall. Konrad, Sophie and three of their friends plan a daring escape to Western Germany. The attempt is successful, except for Konrad, who remains behind. From then on, and for the next 28 years, Konrad and Sophie will attempt to meet again, in spite of the Iron Curtain. Konrad, who has become a reputed Astrophysicist, tries to take advantage of scientific congresses outside Eastern Germany to arrange encounters with Sophie. But in a country where the political police, the Stasi, monitors the moves of all suspicious people (such as Konrad's sister Barbara and her husband Harald), preserving one's privacy, ideals and self-respect becomes an exhausting fight, even as the Eastern block begins its long process of disintegration.

A dying woman, who stole her best friend's lover, is convinced that a spell has been cast on her, so she orchestrates her former friend's return from a self-imposed exile in Africa in the hopes of breaking the spell.

A dying woman, who stole her best friend's lover, is convinced that a spell has been cast on her, so she orchestrates her former friend's return from a self-imposed exile in Africa in the hopes of breaking the spell.

Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated.

Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated.

Against the backdrop of New York's dazzling fashion scene, a woman in the process of transforming herself from a model into a designer is forced to live with her husband's ex-wife when he disappears without a trace.

Three sisters, played by Fanny Ardant, Greta Scacchi and Valeria Golino, struggle with their illusions, goals and desires in Margarethe von Trotta’s film adaptation of Anton Chekhov’s play.

Three sisters, played by Fanny Ardant, Greta Scacchi and Valeria Golino, struggle with their illusions, goals and desires in Margarethe von Trotta’s film adaptation of Anton Chekhov’s play.

Hildegard von Bingen was truly a woman ahead of her time. A visionary in every sense of the word, this famed 12th-century Benedictine nun was a Christian mystic, composer, philosopher, playwright, poet, naturalist, scientist, physician, herbalist and ecological activist.

Hildegard von Bingen was truly a woman ahead of her time. A visionary in every sense of the word, this famed 12th-century Benedictine nun was a Christian mystic, composer, philosopher, playwright, poet, naturalist, scientist, physician, herbalist and ecological activist.

Three people rob a bank to help a day care center that's in debt. Wolf is captured, Werner identified, police suspect Christa is the third. She and Werner ask Hans, a clergyman, to launder the money and give it to the kindergarten. He refuses. They try Ingrid, Christa's friend, who tries to help, but the school rejects the money. When tragedy strikes Werner, Hans helps Christa bolt to a collective in Portugal. Ingrid visits her; their relationship makes the collective nervous, so she returns to Germany and ceases living in hiding. The police are still looking for her and so is a witness to the robbery, Lena, a bank clerk. Lena's interest brings Christa's second awakening.

Three people rob a bank to help a day care center that's in debt. Wolf is captured, Werner identified, police suspect Christa is the third. She and Werner ask Hans, a clergyman, to launder the money and give it to the kindergarten. He refuses. They try Ingrid, Christa's friend, who tries to help, but the school rejects the money. When tragedy strikes Werner, Hans helps Christa bolt to a collective in Portugal. Ingrid visits her; their relationship makes the collective nervous, so she returns to Germany and ceases living in hiding. The police are still looking for her and so is a witness to the robbery, Lena, a bank clerk. Lena's interest brings Christa's second awakening.

Carla Aldrovandi, a gynecologist, and her husband Marco Canova, a magistrate live on the front line of criminal and political powers in Italy. She is surrounded by terror and threats.

Sisters Maria and Anna live together. Maria is a most proficient executive secretary, encouraging Anna to finish her studies and start a career. Anna broods, threatens to quit university, takes pills, and keeps a diary. When Maria's relationship with Maurice, the son of her boss, starts to lead to love, Anna takes a selfish and drastic step that plummets Maria into solitude. No longer able to connect with Maurice, Maria does establish a relationship with Miriam, a typist at her office who becomes a surrogate younger sister. But Maria is intrusive as well as helpful. Can this or any relationship work out for this talented woman whose past seems to choke her soul?

Sisters Maria and Anna live together. Maria is a most proficient executive secretary, encouraging Anna to finish her studies and start a career. Anna broods, threatens to quit university, takes pills, and keeps a diary. When Maria's relationship with Maurice, the son of her boss, starts to lead to love, Anna takes a selfish and drastic step that plummets Maria into solitude. No longer able to connect with Maurice, Maria does establish a relationship with Miriam, a typist at her office who becomes a surrogate younger sister. But Maria is intrusive as well as helpful. Can this or any relationship work out for this talented woman whose past seems to choke her soul?

All her life, 80-year-old Margot Brunner (Rosemarie Fendel) has lived with her disabled sister Wilma (Cornelia Froboess) in the apartment of their deceased mother. The grove Wilma seizes every opportunity she gets to be a nuisance to her sister. When Margot meets artist Gregor (Matthias Habich), she finally gets the courage to tell her sister that she wants to enjoy her life and get out of the house. But Wilma does not agree with this.

A married former art student decides to start painting again, because her children are out of the house and her husband neglects her. However, that is not easy.

In an attempt to escape 19th-century poverty, eight farmers and day laborers attack a prince's money transport in the Hessian Hinterland.

A German couple travels, shortly after reunification, to the Netherlands. Happiness does not last long. The wife receives a letter from an unknown woman.

A divorced thirtysomething woman fights a losing battle in Munich to attain belated self-fulfillment. The die is cast in a briskly impersonal society geared to male dominance and early training for career women.