Pascale Asmar

In front of a cathedral, fate led to Hala and Bachir's meeting. At first sight, they share nothing in common: she is a 15-year-old student, she is Muslim and she sees. Whereas Bachir is 27, he plays the lute, he is Christian and blind. In a country ruled by hatred and conflicts, division and exacerbated sectarianism, and just before the burst of the civil war, two pure souls meet. Hala and Bachir will go through an adventure that will empower their innocent love. But a dark fate awaits them.

Oum Karim, a 60-year-old Beiruti lady, is used to preparing Lahm Bi Ajin (Lebanese ham pie) once per week.

What if a man and a woman switch roles, and she decides to wash her honor by killing her husband?

A Hazara film director follows a gravestone maker, a water girl and a man who buried his limb, as their daily lives unfold in a graveyard.

In front of a cathedral, fate led to Hala and Bachir's meeting. At first sight, they share nothing in common: she is a 15-year-old student, she is Muslim and she sees. Whereas Bachir is 27, he plays the lute, he is Christian and blind. In a country ruled by hatred and conflicts, division and exacerbated sectarianism, and just before the burst of the civil war, two pure souls meet. Hala and Bachir will go through an adventure that will empower their innocent love. But a dark fate awaits them.

In front of a cathedral, fate led to Hala and Bachir's meeting. At first sight, they share nothing in common: she is a 15-year-old student, she is Muslim and she sees. Whereas Bachir is 27, he plays the lute, he is Christian and blind. In a country ruled by hatred and conflicts, division and exacerbated sectarianism, and just before the burst of the civil war, two pure souls meet. Hala and Bachir will go through an adventure that will empower their innocent love. But a dark fate awaits them.

Oum Karim, a 60-year-old Beiruti lady, is used to preparing Lahm Bi Ajin (Lebanese ham pie) once per week.

Oum Karim, a 60-year-old Beiruti lady, is used to preparing Lahm Bi Ajin (Lebanese ham pie) once per week.

What if a man and a woman switch roles, and she decides to wash her honor by killing her husband?

What if a man and a woman switch roles, and she decides to wash her honor by killing her husband?

A Hazara film director follows a gravestone maker, a water girl and a man who buried his limb, as their daily lives unfold in a graveyard.