Suzel Goffre

In the summer of 1939, 13-year-old Marie goes with her parents to visit her grandparents in a small town near Avignon. Marie discovers her femininity and falls for a young Jewish doctor, but he prefers Eva, Marie's mother.

A precious work of art from the Italian Renaissance is stolen and passes through many hands before ending up in the shed of the farmhouse of Mr. and Mrs. Dujardin, fishmongers, who are inaugurating their luxury fish shop that very day. But the antique dealers, the free-riders and the bargain-hunters are there. They are jealously careful not to pass on the fruit of their clever investigations to their rivals, for all of them, after a picturesque treasure hunt, know that the Dujardin family own the famous Duranti altarpiece. But where have they hidden it themselves?

A tall and gangly Victoire arrives in Paris looking for the ideal French lover -- and because she stands well above many of her preceding romantic partners, that is an added dimension to consider. As she finds and drops a series of possibilities -- a free-wheeling sociologist, an up-tight intellectual, and a dentist fixated on sports -- she begins to wonder if this simple quest may turn out to be an impossibility after all.

Set in 1989, story of a man beat up by two ex-policemen and left to die in a dump. Marek survives after the brain surgery that leaves him amnesiac. He wanders through the city, sought by his assilant, who fear he will testify against them. Marek finds shelter with a girlfriend/bagwoman who supposedly was once queen of Paris boulevards. Marek regains his memory just as the villains are to get him. He eventually returns to his house only to find out that his mother died and his brother left for Australia.

A young woman convenes with her extended family in a provincial village where her cousin, in a coma, is hospitalized after attempting suicide.

Two men living in a snow-bound town in the mountains fall in love with the same girl

Three episodes from the history of socialism: Babeuf, whose virulent discourse is a radical assessment of the bourgeois revolution of 1789 (Vincent Nordon episode); the legend of Napoleon I, or the formation of the state as it still dominates today (François Barat episode); and the carnage of the Paris Commune, which official history strives to repress and forget (Joël Farges episode). What does it mean to make a historical film today? It means illuminating the present in the light of the past, and therefore adopting the new modes of modern storytelling to challenge what dominates us, structures us, and oppresses us.

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