Simon Stone

A high-stakes Aussie police drama following the lives of Melbourne’s finest girls and boys in blue – members of a prestigious Tactical Response team.

As WWII looms, a wealthy widow hires an amateur archaeologist to excavate the burial mounds on her estate. When they make a historic discovery, the echoes of Britain's past resonate in the face of its uncertain future‎.

On a lavish yacht for an assignment, a journalist sees a passenger go overboard. But when no one believes her, she risks her life to uncover the truth.

The deeply emotional and inspirational true story of Ian Charleson, a gifted actor whose greatest challenge becomes his greatest triumph. Facing his own mortality with unflinching honesty, wit, and grace, Charleson delivers a courageous performance that becomes a source of healing and inspiration for those around him.

A family is haunted by its part in an unjust war, the painful burden of inherited trauma and intergenerational conflict, and the descent into an increasingly merciless vortex of violence. Simon Stone's adaptation of The Oresteia trilogy of Aeschylus' Greek tragedies (consisting of Agamemnon, The Libation Bearers, and The Eumenides), shows us that as long as humankind wages wars and families tear themselves apart, this story will remain painfully, cathartically relevant. Stage play performed at The Bridge Theatre in London, UK.

Outside the Australian town of Jindabyne, local man Stuart Kane is on a fishing trip with friends when they discover the body of a murdered girl.

A high-stakes Aussie police drama following the lives of Melbourne’s finest girls and boys in blue – members of a prestigious Tactical Response team.

As WWII looms, a wealthy widow hires an amateur archaeologist to excavate the burial mounds on her estate. When they make a historic discovery, the echoes of Britain's past resonate in the face of its uncertain future‎.

On a lavish yacht for an assignment, a journalist sees a passenger go overboard. But when no one believes her, she risks her life to uncover the truth.

On a lavish yacht for an assignment, a journalist sees a passenger go overboard. But when no one believes her, she risks her life to uncover the truth.

The deeply emotional and inspirational true story of Ian Charleson, a gifted actor whose greatest challenge becomes his greatest triumph. Facing his own mortality with unflinching honesty, wit, and grace, Charleson delivers a courageous performance that becomes a source of healing and inspiration for those around him.

A family is haunted by its part in an unjust war, the painful burden of inherited trauma and intergenerational conflict, and the descent into an increasingly merciless vortex of violence. Simon Stone's adaptation of The Oresteia trilogy of Aeschylus' Greek tragedies (consisting of Agamemnon, The Libation Bearers, and The Eumenides), shows us that as long as humankind wages wars and families tear themselves apart, this story will remain painfully, cathartically relevant. Stage play performed at The Bridge Theatre in London, UK.

A family is haunted by its part in an unjust war, the painful burden of inherited trauma and intergenerational conflict, and the descent into an increasingly merciless vortex of violence. Simon Stone's adaptation of The Oresteia trilogy of Aeschylus' Greek tragedies (consisting of Agamemnon, The Libation Bearers, and The Eumenides), shows us that as long as humankind wages wars and families tear themselves apart, this story will remain painfully, cathartically relevant. Stage play performed at The Bridge Theatre in London, UK.

After years of fierce focus on her political career, a politician turns her attention to her personal life. The reappearance of a figure from her past shakes the foundations of her house and the beliefs that have underpinned her power. As buried lust and loneliness surge to the surface, her actions threaten to destroy everything she has built.

After years of fierce focus on her political career, a politician turns her attention to her personal life. The reappearance of a figure from her past shakes the foundations of her house and the beliefs that have underpinned her power. As buried lust and loneliness surge to the surface, her actions threaten to destroy everything she has built.

Seventeen talented Australian directors from diverse artistic disciplines each create a chapter of the hauntingly beautiful novel by multi award-winning author Tim Winton. The linking and overlapping stories explore the extraordinary turning points in ordinary people’s lives in a stunning portrait of a small coastal community. As characters face second thoughts and regret, relationships irretrievably alter, resolves are made or broken, and lives change direction forever.

In the last days of a dying logging town, Christian returns to his family home for his father Henry’s wedding. While home, Christian reconnects with his childhood friend Oliver, who has stayed in town working at Henry’s timber mill and is now out of a job. As Christian gets to know Oliver’s wife Charlotte, daughter Hedvig, and father Walter, he discovers a secret that could tear Oliver’s family apart.

In the last days of a dying logging town, Christian returns to his family home for his father Henry’s wedding. While home, Christian reconnects with his childhood friend Oliver, who has stayed in town working at Henry’s timber mill and is now out of a job. As Christian gets to know Oliver’s wife Charlotte, daughter Hedvig, and father Walter, he discovers a secret that could tear Oliver’s family apart.

Acclaimed director Simon Stone and his stellar Korean cast bring striking originality to Chekhov’s classic, relocating The Cherry Orchard of old Russia to modern-day Korea. Doyoung Song, a chaebol heiress, returns from abroad to a free and defiant Seoul. Above all, her family business is in peril, threatening the future of her mansion. As the Songs grapple with their status and heritage in a rapidly changing world, quiet tensions unfold within their glass-walled home, and the family collapses into a poignant, beautiful mess.

Performance 07.03.2021 at Vienna State Opera

Bohuslav Martinů's Greek Passion, which outlines a serious, very topical problem today, which is the position of refugees in a foreign, often hostile environment, is among the composer's most important works in terms of both ideology and art. The English libretto was based on the novel "Christ Recrucified" (1951) by the Greek writer Nikos Kazantzakis, which takes place in the first decades of the 20th century in the harsh Greek countryside.

A woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece.

On May 21, soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Lucia di Lammermoor, in an electrifying new staging by in-demand Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Show-stopping tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Ruciński as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

The inalienable and inconceivable core of an old myth is swirling and fermenting beneath the surface of a recognizable contemporary story. Medea is called Anna in this version, a successful doctor who is trying to get on with her life after a forced confinement. She is willing to forgive the affair of her husband with a younger woman and to make a new start with him and the children. Soon it turns out that their plans for the future do not correspond. Anna is in danger of losing everything: her husband, her children, her career. She is cornered and sees only one way out.

The inalienable and inconceivable core of an old myth is swirling and fermenting beneath the surface of a recognizable contemporary story. Medea is called Anna in this version, a successful doctor who is trying to get on with her life after a forced confinement. She is willing to forgive the affair of her husband with a younger woman and to make a new start with him and the children. Soon it turns out that their plans for the future do not correspond. Anna is in danger of losing everything: her husband, her children, her career. She is cornered and sees only one way out.

Simon Stone's take on Arrigo Boito's Mefistofele, opening the 2023/2024 season at the Opera di Roma.

Erich Wolfgang Korngold's "Die tote Stadt" in a Bayerische Staatsoper production from 2019, directed by Simon Stone. Kirill Petrenko is conducting Jonas Kaufmann and Marlis Petersen.

Anna, a young mother, escapes her cold and unfaithful husband, Ned, a businessman who's just launched his first campaign for political office. Ned chases Anna and their six-year-old daughter from Alaska to Maine, and the two go into hiding in a run-down motel on the coast.

Anna, a young mother, escapes her cold and unfaithful husband, Ned, a businessman who's just launched his first campaign for political office. Ned chases Anna and their six-year-old daughter from Alaska to Maine, and the two go into hiding in a run-down motel on the coast.

Based on Ibsen, Simon Stone wrote and directed a grand family saga about the troublesome but inevitable coexistence of different generations under one roof. Maarten Heijmans received the Arlecchino (best male performance in a supporting role) for his portrayal of Sebastiaan.

Based on Ibsen, Simon Stone wrote and directed a grand family saga about the troublesome but inevitable coexistence of different generations under one roof. Maarten Heijmans received the Arlecchino (best male performance in a supporting role) for his portrayal of Sebastiaan.

Penderecki's Opera of an entire convent, in the small French village of Loudun, apparently possessed by the devil.

The world premiere of composer Kaija Saariaho's opera, "Innocence", at the 2021 Aix-en-Provence Festival. Finland is the setting but the protagonists come from the four corners of Europe: a Finnish groom and his Romanian bride, a French mother-in-law and a Czech maid. Around them memories unravel in a contemporary tragedy of guilt and lost innocence.

No synopsis available yet.

For his opera Garnier stage-directing debut, Simon Stone creates a sensational La Traviata, 2.0! Pretty Yende and Benjamin Bernheim triumph as Violetta and Alfredo in a production that remixes the beloved operatic masterpiece’s familiar love story for the digital age, adding social media notifications, all-nighters, texts, and parties to produce an interpretation starkly appropriate for our modern era. At the podium, Michele Mariotti conducts the Paris National Opera Orchestra.