Hossein Soleimani

Bahram, a censored director, embarks on a Vespa trip with producer Sadaf to clandestinely screen his film in Iran, challenging the system.

A mother in Iran, considers selling her organs to save her daughter, while in the United States, a doctor faces ethical dilemmas to save his daughter, revealing the complexities of organ trade.

A satirical take on the mundane absurdities of life in modern-day Iran, these nine vignettes illuminate the lighter side of enduring under authoritarian rule. Whether choosing a name for a newborn, graduating from grade school, getting a driver’s license, applying for a job, or seeking approval for a film script, if you live in Iran, you best come fluent in Orwellian discourse.

The film "Bam Bala" is the story of siblings named Hina and Amir Ali, who seek help from a doll named Bam Bala to reconcile their parents. Bam Bala is a doll that helps all children achieve their dreams. In a part of the film, all the adults in the city are turned into statues by his hand so that the children can do whatever they want happily and regardless of their concerns.

The story shows a different point of view of Iraq's invasion since it's narrated by self sacrificing fearless women who reach the army fortress in order to bring back weapons and ammunitions to stand against the enemy.

The film tells the story of a man (Hossein Soleimani) whose wife urgently needs a heart transplant after a serious accident and heart failure. He only has 47 hours and 10 minutes to pay for the heart and save his wife's life.

Inspired by true events during a critical period in Iran's post islamic revolution era

Reza is an artist who dreams of traveling to Cannes and meeting the gratest living figures of cinema. He travels to Paris to meet Steven Spielberg and Woody Allen and give his screenplay to them. In the end, Reza who has lost his money because of a fellow countryman, without meeting Spielberg, awaits in a corner of Cannes dreaming he's returning to Iran.

Arjang, who was born before the revolution in Iran, has been in love with his childhood sweetheart, Roya, for the past 40 years. Roya, however, has brought him nothing but trouble. Now 50, and having experienced a revolution, a war, a divorce and both poverty and wealth, Arjang finds himself still in love with Roya.

Zary comes to Tehran to help her family. However, premarital conditions have made stories for them.

A girl named Ghazal who lives abroad and comes to one of the cities of Iran to sell her grandfather's inheritance. When she arrives in the city, she encounters unexpected events until...

The story of the film is about a boy named Morteza who has a borderline disease and Ibn Ardah will become dependent on one person, that Morteza in our story is in love with his brother Jafar, and Jafar's brother also gets married and the girl asks him to leave his brother. And the story goes back to Morteza's behavior...

The story of an apartment with several floors. When you open the door and enter it, in the third floor there lives Raana, the English translator with her 9 years old girl.

After an untimely summons from his department head, Mr. Ahmadi collided with a trolley carrying iron and was killed on his way to work. On that day, various factors come together so that following this incident, the fate of several people will be connected and changed...

The satirical commentary on clergymen in post-revolutionary Iran. While in prison, petty criminal Reza (Parviz Parastui) comes across a clergyman, sparking a plan for escape. Reza dons his new acquaintance's clerical robes and makes a bid for freedom. He soon learns that being a clergyman brings little respect from the public. Reza travels to the outlying villages, from where he plots to escape the country. However, his plans must be put on hold when the villagers accept him into their community and expect him to perform religious duties. Will Reza's prison break transform him into an unlikely pillar of the community?

Unfinished Stories employs a structure familiar to Western indie cinema by following a set of seemingly random but interlocking episodes. Debut director Pourya Azarbayjani presents the tales of several women who spend much of the film alone on the streets of Tehran after dark – a particularly fraught place for unescorted women in a Muslim nation. The film's three primary stories each represents a different point in the cycles of courtship and childbirth. One young woman hopes to elope with her unseen fiance, but faces insurmountable problems when he doesn't show up. An older, married woman seeks to buy a pregnancy test, the results of which could dictate her marriage's fate. A new mother at a hospital resorts to drastic measures when a financial problem arises. (c) http://clatl.com/atlanta/iranian-film-today/Content?oid=1275194

In this Iranian film, social worker Mina (Fateme Motamed-Aria) tells the reformatory head they should offer genuine emotional feedback to their charges, but she withdraws when the reality of such idealistic proposals becomes evident. Young Medhi (Hussein Soleimani) is troubled after the death of his mother. He views Mina as the mother he needs, but Mina is wary. Shown at the 1998 Fajr Film Festival.

A young man, with unknown troubles and philosophy of life, hits the streets of Tehran to clear his mind. Soon he finds himself in the role of a taxi driver. As he drives through the city, each person he picks up brings his story, stories that he tries to make sense of in order to understand and make sense of his own life.

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