Jamie Walters

A parody of American domestic and political life. Barbara Walters interviews Joan Kennedy. Assuming a reconciliation with Ted this acerbic farce casts alcoholic, manic depressive Joan Kennedy as First Lady.

A now-defunct Washington, D.C. after-hours gay bar is used as the setting for hell.

A parody of American domestic and political life. Marge Jones, a B-movie actress, is plagued by creditors and blackmail. She returns to her hometown, Zanesville, Ohio, to raise her two children and save herself.

A parody of American domestic and political life. Barbara Walters interviews Joan Kennedy. Assuming a reconciliation with Ted, this acerbic farce casts alcoholic, manic depressive Joan Kennedy as First Lady. First part of "A Kennedy Trilogy."

In this abrasive concluding segment of "A Kennedy Trilogy," Joan returns to the White House after hospital treatment.

A sequel to A FAMILY ALL TOGETHER.

The poet vanishes and only his voice remains. He is replaced, as Walters describes it, by a "visual realization" of the poem's themes of spies, secret codes and lurking violence.

A parody of American domestic and political life. Barbara Walters interviews Joan Kennedy. Assuming a reconciliation with Ted this acerbic farce casts alcoholic, manic depressive Joan Kennedy as First Lady.

A parody of American domestic and political life. Marge Jones, a B-movie actress, is plagued by creditors and blackmail. She returns to her hometown, Zanesville, Ohio, to raise her two children and save herself.

A parody of American domestic and political life. Marge Jones, a B-movie actress, is plagued by creditors and blackmail. She returns to her hometown, Zanesville, Ohio, to raise her two children and save herself.

Louise Nevelson is here portrayed as a droll transvestite. The sculptor discusses her life and perspectives on her work.

Louise Nevelson is here portrayed as a droll transvestite. The sculptor discusses her life and perspectives on her work.

A parody of American domestic and political life. Barbara Walters interviews Joan Kennedy. Assuming a reconciliation with Ted, this acerbic farce casts alcoholic, manic depressive Joan Kennedy as First Lady. First part of "A Kennedy Trilogy."

In this abrasive concluding segment of "A Kennedy Trilogy," Joan returns to the White House after hospital treatment.

Gaver is an actor rather than a reciter and pulls the "text" out of a gold-leaf skull, folds it into an airplane and then tosses it over and over. Scenes of newspaper production and World War II propaganda footage are intercut with this main action, echoing visually the rhythms of the poem.

Documents the innovative ways in which Washington writer/poet Chasen Gaver uses movement, percussion and other performance elements to enhance the delivery of verse. He uses this form of poetry to raise questions about our society, encourage cross-cultural awareness and make us reflect on contemporary issues.

Documents the innovative ways in which Washington writer/poet Chasen Gaver uses movement, percussion and other performance elements to enhance the delivery of verse. He uses this form of poetry to raise questions about our society, encourage cross-cultural awareness and make us reflect on contemporary issues.

“Exploration of the themes of human alienation through technology.”

A reasonable opinion of our times, this is our strongest political statement this year.

A spoof on Jacqueline Onassis's possible telephone response to First Lady Joan. Second segment of "A Kennedy Trilogy."

A sequel to A FAMILY ALL TOGETHER.

A sequel to A FAMILY ALL TOGETHER.