Known for
5.8A stylized, wordless look at two men in Sydney: a gay man and a man who leads a gay-bashing gang. The gay man, recovering from his beating, practices dance that is sometimes tai chi, sometimes ballet, sometimes modern jazz. The man who rescued him from the beating is his teacher, his lover, and his dance partner. We also see his attacker, who, trapped in machismo, mistreats his own girlfriend as well. By the end, the male couple is joined by a third dancer, a woman, suggesting an artistic and social harmony
Resonance
1991
1.0Director Anna Broinowski explores how Pauline Hanson's speech in 1996 and the decades of debate that followed has influenced Australia today; the impact of her political career on modern multicultural Australia, and the people who have helped her transition from local fish shop owner to Member for Oxley. Featuring many of Hanson's critics, opponents, advisors and commentators, from former Prime Minister John Howard, to current members of the media, including Margo Kingston and Alan Jones; and leading Indigenous commentator, Professor Marcia Langton.
Pauline Hanson: Please Explain!
2016
NRA wry commentary on the treatment of people with HIV, adapted from an uncompleted film by Stephen Cummins.
The HIV Game Show
1995
NRReferencing the then-current debate over the decriminalisation of homosexuality in Western Australia, the commercial aimed to “sell” gay sexuality, but was banned by the TV station manager. One of ten TV commercials commissioned for the “Personal Ads” group art project in Perth.
Taste the Difference
1995
Film credits
Behind the camera
5.8A stylized, wordless look at two men in Sydney: a gay man and a man who leads a gay-bashing gang. The gay man, recovering from his beating, practices dance that is sometimes tai chi, sometimes ballet, sometimes modern jazz. The man who rescued him from the beating is his teacher, his lover, and his dance partner. We also see his attacker, who, trapped in machismo, mistreats his own girlfriend as well. By the end, the male couple is joined by a third dancer, a woman, suggesting an artistic and social harmony
Resonance
1991
NRA wry commentary on the treatment of people with HIV, adapted from an uncompleted film by Stephen Cummins.
The HIV Game Show
1995
NRReferencing the then-current debate over the decriminalisation of homosexuality in Western Australia, the commercial aimed to “sell” gay sexuality, but was banned by the TV station manager. One of ten TV commercials commissioned for the “Personal Ads” group art project in Perth.
Taste the Difference
1995
