Maxence Mailfort

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

A mentally disturbed woman arrives in Rome to find a city fragmented by autocratic law, leftist violence, and her own increasingly unhinged mission to find the most dangerous liaison of all.

A young woman is questioned by the police and the judges, suspected of being a modern witch. The girl who shared her apartment has been found dead, and a pair of scissors impaled through her heart, as she lay attached to the bedposts. Apparently, the girl does have powers, to make all people around her fall prey to her spell, glissing progressively into desire, lust, and the unknown.

Five highly-trained KGB agents are sent to the west to assassinate several Soviet dissidents. In order to stop the diabolical plot, an American agent must infiltrate Soviet intelligence and obtain information from a Russian computer.

A detective comes out of retirement to help his daughter's fiance prove that he did not commit a series of murders.

Adaptation of the classic Herman Melville short story. The narrator, an elderly Manhattan lawyer with a very comfortable business helping wealthy men deal with mortgages, deeds, and bonds, relates the story of the strangest man he has ever known.

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