Rafael Fonseca

In an effort to continue using filmmaking as exposure therapy (after conquering her fear of the Tube in Tube Film), filmmaker Orla Smith tackles an even bigger fear: planes. On a trip to Porto, the camera is wielded as a shield against panic attacks. But this time, things don’t go exactly to plan.

In a small hill near the village of Gerês, called Penedo da Freira, lies a tombstone that appears to mark a site of passion between a Portuguese nun and a Spaniard soldier near the end of the 18th century. The legend described in the stone becomes a target of obsession for a young director as he plunges two actors into reliving its words.

In a small hill near the village of Gerês, called Penedo da Freira, lies a tombstone that appears to mark a site of passion between a Portuguese nun and a Spaniard soldier near the end of the 18th century. The legend described in the stone becomes a target of obsession for a young director as he plunges two actors into reliving its words.

In a small hill near the village of Gerês, called Penedo da Freira, lies a tombstone that appears to mark a site of passion between a Portuguese nun and a Spaniard soldier near the end of the 18th century. The legend described in the stone becomes a target of obsession for a young director as he plunges two actors into reliving its words.

A sonic and documentary journey into the creation of experimental music in Portugal. The film, constructed through conversations with 23 of the most relevant national artists, reveals different approaches to the processes of experimentation, exploring gestures and respective innovative methodologies.