Menasha Oppenheim

In this musical comedy, the comic duo Dzigan and Shumacher play two small town "entrepreneurs" who believe they have struck oil in a local field. Thus begins a comedy of errors, including millionaire investors, American schemers, and insane asylums, with a little matchmaking on the side.

A young radio announcer living in Warsaw, who also is a swing and jazz musician, continually feuds with his landlord, a classical musician. A mixup of names and apartments leads to amusing complications as the young tenant falls in love with a young woman who, unbeknown to him, is the landlord's niece.

Mamele embraces the entire gamut of interwar Jewish life in Lodz--tenements and unemployed Jews, nightclubs and gangsters, religious Jews celebrating sukkot--but the film belongs to Molly Picon who romps undaunted through her dutiful daughter role saving siblings, keeping the family intact, singing and acting her way through the stages of a woman's life from childhood to old age.