Henrique Domingues

No synopsis available yet.

Geni and Thor are two dangerous and passionate fugitives who want to leave crime behind. However, they end up getting involved in the theft of a suitcase, which must be delivered to the mysterious woman at 6:17 p.m. at a gas station.

Is the eye the window of the soul? - Mydriasis is a movie that reflects about the early discoveries of queerness and its impact on the self perception of a person.

Reimagining scenes from the iconic Man with a Movie Camera (1929, Dir. Dziga Vertov/USSR), Man with a Cellphone Camera delves into the creative potential and image manipulation in the era of social media.

A camera tries to create a love story using lost videos on his memory card, but fate transforms these files into those of his ancestors who gave him life through a ritual. Magic, Surrealism and Queer Sexuality in the eyes of cinema now alive.

A young man is turning 25 years old and, on his birthday, he reminisces about phrases he heard during his childhood, adolescence, and adulthood. He chooses to dance and make a wish.

A reborn angel wanders through the city. Two boys meet on a bus and embark on a sexual journey. A constant flow where narratives converge, creating a kaleidoscope of post-pandemic youth.

A reborn angel wanders through the city. Two boys meet on a bus and embark on a sexual journey. A constant flow where narratives converge, creating a kaleidoscope of post-pandemic youth.

No synopsis available yet.

A surrealist queer experience. Sweder, one day as he prepares to cut a fish, feels somehow touched by the commercial that is playing on TV about the consumption of animal flesh and violence, so he decides to adopt the fish and treat it like a son.

Documentary about the preservation of Brazilian films on celluloid.

*Twink* is a sacrificial ephebe who insists on surviving as a symptom of cultural memory. Drawing on a queer reimagining of the myth of Eros and Psyche, the film maps the disguises through which twink iconography has infiltrated the history of the image.

*Twink* is a sacrificial ephebe who insists on surviving as a symptom of cultural memory. Drawing on a queer reimagining of the myth of Eros and Psyche, the film maps the disguises through which twink iconography has infiltrated the history of the image.