Aaron Vaughn

21 Jump Street revolves around a group of young cops who would use their youthful appearance to go undercover and solve crimes involving teenagers and young adults.

Rebel Highway is a 1994 revival of American International Pictures, created and produced by Lou Arkoff, the son of Samuel Z. Arkoff, and Debra Hill for the Showtime network. The concept was a ten-week series of 1950s "drive-in classic" B-movies remade "with a '90s edge". Each episode shares a title with a late 1950s-early 1960s-era AIP film. However, they are not remakes; each installment is a different story from that which they are titled. The impetus for the series, according to Arkoff was, 'what it would be like if you made Rebel Without a Cause today. It would be more lurid, sexier, and much more dangerous, and you definitely would have had Natalie Wood's top off'.

Junior and his father, Ben, move from Cold River to Mortville. Junior becomes threatened by Ben's desire to date again and find a new mother for Junior, and sabotages each of his dates.

In the 1950s, guitar-playing drifter Dude Delaney wanders into a quiet town looking to play music and generally cause trouble, much to the chagrin of the local sheriff, known as Sarge. While palling around with his B-movie-obsessed friend Nixer, Dude meets the beautiful Donna, and is offered a position in a rockabilly band, but the sheriff is intent on getting rid of him by any means necessary.

When a group of wisecracking, baseball-obsessed teenage boys lose their coach, they fear disqualification from the upcoming Little League championships. Their unlikely salvation appears in the person of Jack, a homeless and apparently mute drifter who wanders in, literally, from left field.

21 Jump Street revolves around a group of young cops who would use their youthful appearance to go undercover and solve crimes involving teenagers and young adults.

Rebel Highway is a 1994 revival of American International Pictures, created and produced by Lou Arkoff, the son of Samuel Z. Arkoff, and Debra Hill for the Showtime network. The concept was a ten-week series of 1950s "drive-in classic" B-movies remade "with a '90s edge". Each episode shares a title with a late 1950s-early 1960s-era AIP film. However, they are not remakes; each installment is a different story from that which they are titled. The impetus for the series, according to Arkoff was, 'what it would be like if you made Rebel Without a Cause today. It would be more lurid, sexier, and much more dangerous, and you definitely would have had Natalie Wood's top off'.