Jane Evelyn

A young trans woman breaks up a wooden pallet and reflects on her past.

Fragments of a trans woman's life shortly before winter.

Cellphone videos and photographs document the transition from boyhood to womanhood.

In this piece of docufiction, each day of 2024 is represented by one minute of footage. Two transgender artists in a long-distance relationship film their personal lives for an entire year as a form of therapy. The project forces the couple to examine who they are as individuals, lovers, and artists in a world that threatens their existence.

A plea for on-screen representation of transgender intimacy.

A young filmmaker navigates her transition while living in an abusive household. Personal videos document several years of isolation as she says goodbye to old friends and welcomes new ones she meets online.

Two transgender lovers and their friend visit Redondo Beach on a December night.

Two transgender lovers lay in bed and slowly embrace each other.

After suffering an emotional breakdown, a video artist reflects on her past and her complicated relationship with movies.

Two queer artists document their personal lives for an entire year to make a movie. One minute from each month of 2024 is represented in this twelve-minute short adaptation.

A young trans woman breaks up a wooden pallet and reflects on her past.

A woman stands to watch a film and is moved to tears by its message.

Fragments of a trans woman's life shortly before winter.

One minute montage comprised of filmic images of hate, dehumanization, and power as a tragic metaphor for the failures of the world and cinema. Video featured in "I Wish I Were a Camera."

In this found-footage remake of James Benning’s found-footage film of the same name, editor Jane Evelyn comments on the evolving digital landscape through a collage of historical records, home movies, ASMR videos, song covers, animations, and film clips.

A graphic exploration of the undesired effects of testosterone on a young transgender woman's (pre-HRT) body.

A young woman passes time during her flight from Kansas City to Los Angeles.

Cellphone videos and photographs document the transition from boyhood to womanhood.

A woman stares into the camera, drinks coffee, laughs, and twirls her hair. The footage is slowed down to showcase human motion and body language, as well as capture and preserve the beauty of an individual person.

In this piece of docufiction, each day of 2024 is represented by one minute of footage. Two transgender artists in a long-distance relationship film their personal lives for an entire year as a form of therapy. The project forces the couple to examine who they are as individuals, lovers, and artists in a world that threatens their existence.

A plea for on-screen representation of transgender intimacy.

A young filmmaker navigates her transition while living in an abusive household. Personal videos document several years of isolation as she says goodbye to old friends and welcomes new ones she meets online.

A young Elaine (Nigel) is coached by her father in kart racing and drumming. Home movies and GoPro footage document the complicated relationship between the two family members.

A teenager aspires to make a film during the pandemic. They reflect on their depression and nostalgia by documenting old places from their past.

Two transgender lovers lay in bed and slowly embrace each other.

After suffering an emotional breakdown, a video artist reflects on her past and her complicated relationship with movies.

After suffering an emotional breakdown, a video artist reflects on her past and her complicated relationship with movies.

Two queer artists document their personal lives for an entire year to make a movie. One minute from each month of 2024 is represented in this twelve-minute short adaptation.