Sam Carson

It’s the summer of 2014. A couple start an online prank channel.

An exploration of embodiment with AI generated imagery.

‘Vacations in America’ is a film accompaniment to the debut album by Oh Francis.

Following the disappearance of her girlfriend a trans filmmaker discovers EmileCam, a 24-hour livestream which had been devoted to spying on her.

Cinema clerks Silva and Felix work the final night before their beloved cinema is demolished by private investors. An empty final screening allows them to reflect on the meaning of cinema in an age wherein art no longer occupies physical space.

It’s the summer of 2014. A couple start an online prank channel.

An exploration of embodiment with AI generated imagery.

‘Vacations in America’ is a film accompaniment to the debut album by Oh Francis.

Following the disappearance of her girlfriend a trans filmmaker discovers EmileCam, a 24-hour livestream which had been devoted to spying on her.

Following the disappearance of her girlfriend a trans filmmaker discovers EmileCam, a 24-hour livestream which had been devoted to spying on her.

Cinema clerks Silva and Felix work the final night before their beloved cinema is demolished by private investors. An empty final screening allows them to reflect on the meaning of cinema in an age wherein art no longer occupies physical space.

Cinema clerks Silva and Felix work the final night before their beloved cinema is demolished by private investors. An empty final screening allows them to reflect on the meaning of cinema in an age wherein art no longer occupies physical space.