Sofia Kakarelidou

The Greek army is about to set sail to a great battle, but the winds refuse to blow. Their leader, King Agamemnon, seeks to provide better food, but accidentally slays a sacred deer. His punishment from the gods, the sacrifice of his daughter Iphigenia.

A completely euphemistic black comedy or the worst film you've ever seen, Dimitris Piata's feature directorial debut in the cinema is the triumph of bad taste over "whatever".

Composed of two independent, medium-length segments set against the backdrop of the early 1980s Greek society, "Peri Erotos" pivots around the unforeseen complications of eternal Eros. Starting with "Chrisanthi", the female narcissism--paired with fetishism and latent homosexuality--gives birth to emotional impasses, unchanneled sexual energy, and ultimately, erotic violence. Then, in "Iason", a young man torn between two women struggles to find his feet in an ever-changing game of twisted love. As unrestrained male passion takes over, the man attempts to reconcile the conflict between life and death and cope with rejection and self-destructive masochistic tendencies.