Andreas Morrell

Hayato Sumino performs Sergei Rachmaninoff’s Piano Concerto No. 2 in C minor at the Wiesbaden Kurhaus in Germany with the Frankfurt Radio Symphony Orchestra conducted by Alain Altinoglu as part of Europiano.

One day in June 2003, thousands of people came to the Waldbühne Park to spend the night with Gershwin, the composer of Porgy and Bess, the super energised Seiji Ozawa conducting the venerable Berliner Philharmoniker and the famous Marcus Roberts jazz trio.

From the Semperoper Dresden, 2006 Fairy-tale Opera in three acts by Engelbert Humperdinck based on a libretto by Adelheid Wette

Midori, in her search for authenticity,visits the places where Bach's compositions originated. Exploring the castle of Köthen, where Bach wrote the Sonatas and Partitas for Solo Violin,she fills the historical rooms with the sound of these masterpieces. Music and space merge exclusively in the acoustic offered by the location, which supports the breathtaking polyphonyand the detailed richness of the works as well as the technical brilliance and perfectionof Midori's subtly shaped performance. recorded at the Castle Köthen, August 2016

No synopsis available yet.

Hayato Sumino performs Sergei Rachmaninoff’s Piano Concerto No. 2 in C minor at the Wiesbaden Kurhaus in Germany with the Frankfurt Radio Symphony Orchestra conducted by Alain Altinoglu as part of Europiano.

One day in June 2003, thousands of people came to the Waldbühne Park to spend the night with Gershwin, the composer of Porgy and Bess, the super energised Seiji Ozawa conducting the venerable Berliner Philharmoniker and the famous Marcus Roberts jazz trio.

From the Semperoper Dresden, 2006 Fairy-tale Opera in three acts by Engelbert Humperdinck based on a libretto by Adelheid Wette

Midori, in her search for authenticity,visits the places where Bach's compositions originated. Exploring the castle of Köthen, where Bach wrote the Sonatas and Partitas for Solo Violin,she fills the historical rooms with the sound of these masterpieces. Music and space merge exclusively in the acoustic offered by the location, which supports the breathtaking polyphonyand the detailed richness of the works as well as the technical brilliance and perfectionof Midori's subtly shaped performance. recorded at the Castle Köthen, August 2016

No synopsis available yet.