Liam Krug

For teenage misfits Hunter and Kevin, the path to glory is clear: Devote themselves to metal. Win Battle of the Bands. And be worshipped like gods.

A romantic comedy about a woman who thinks all people eventually cheat and a man who challenges her to a competition to prove that she's wrong.

In this piece of docufiction, each day of 2024 is represented by one minute of footage. Two transgender artists in a long-distance relationship film their personal lives for an entire year as a form of therapy. The project forces the couple to examine who they are as individuals, lovers, and artists in a world that threatens their existence.

Two former rivals reconnect over drinks and a quick bite. One is compulsively running through men and can’t kick the habit of drinking their blood, and the other is working through her trauma and settling down with a new career in monster counseling. Things get a little uncomfortable when the conversation turns to the same toxic lover that connected them — Count Dracula — one of whom is still entangled with him.

During quarantine, Jinkx completely lost her grip on reality and has resorted to emotionally tormenting her roommates with her delusional fixation on still being a reality TV-show contestant.