Moon Geun-young

Two sisters return home after a stay in a mental institution, only to face disturbing events and a strained relationship with their stepmother. As eerie occurrences unfold, dark family secrets begin to surface, blurring the line between reality and nightmare.

Ancient Korea, July 4, 1762. The Crown Prince Hyojang, posthumously named Sado, son of King Yeongjo of Joseon, is accused of treason. Thus, the king asks him to commit suicide, but his closest vassals prevent it, so the king orders the prince to get inside a wooden rice chest, where he suffers deprivation of food and water.

A teenage girl tries to continue her normal social and school life, after her grandfather forces her into an arranged marriage with a man in his twenties.

A college student befriends two cute girls his age. He loses contact with them. He tries to find them years later.

Julian has lived off the money he lures from his rich female customers. But now he faces usurious debts from a hasty expansion of his business, and he will be killed unless he clears the debt in one month. The only way to save himself is to pretend to be the long-lost brother of an heiress and kill her to get her huge fortune. Min, the blind heiress, cold-hearted like Julian, slowly opens herself to him, and he, too, falls for her. But Julian has to pay his creditor and what makes it worse for him is that the illness that took Min’s eyesight relapsed, threatening her life.

Chae-rin, who has come to Seoul from Yanbian after tricking as a sports dancer, becomes a partner of Yeong-sae who dreams of a coming back to field, and prepares for a dance competition.

Despite her disabled leg, the Ph.D. student Jae-yeon is a brilliant researcher with a rare ability to communicate with nature. Having been hurt by her hypocrite colleague and lover, she turns her back to the world and goes deep into the forest to live alone in a glass garden.

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It’s about a woman who tries to overcome her limits. She tries everything in her power to come out of her shell. She becomes desperate and restless, submissive and patient. But she can’t help but feel anxious and scared no matter what. She hopes the light will lead her somewhere and save her from the darkness. The moment she thinks she’s free, the moment she thinks she’s overcome the limits, she falls deeper into the abyss.

A behind-the-scenes look at the creation of Kim Jee-woon's 2003 psychological horror film 'A Tale of Two Sisters.'

Grief. A farewell. It’s not the goodbye that hurts. It’s the fact that I can’t do anything for you anymore. No matter how much I cry in pain, I can’t see you. No matter how much I resist the yearning, I can’t feel you. I picture you shivering in fear in a different world. Yet, there’s nothing I can do for you. That hurts. It really hurts. I want to console you. And me. I want to be consoled.

Grief. A farewell. It’s not the goodbye that hurts. It’s the fact that I can’t do anything for you anymore. No matter how much I cry in pain, I can’t see you. No matter how much I resist the yearning, I can’t feel you. I picture you shivering in fear in a different world. Yet, there’s nothing I can do for you. That hurts. It really hurts. I want to console you. And me. I want to be consoled.

It’s about a woman who tries to overcome her limits. She tries everything in her power to come out of her shell. She becomes desperate and restless, submissive and patient. But she can’t help but feel anxious and scared no matter what. She hopes the light will lead her somewhere and save her from the darkness. The moment she thinks she’s free, the moment she thinks she’s overcome the limits, she falls deeper into the abyss.

It’s about a woman who tries to overcome her limits. She tries everything in her power to come out of her shell. She becomes desperate and restless, submissive and patient. But she can’t help but feel anxious and scared no matter what. She hopes the light will lead her somewhere and save her from the darkness. The moment she thinks she’s free, the moment she thinks she’s overcome the limits, she falls deeper into the abyss.

It’s a story of a woman, who keeps finding her way back to the stage again and again. Life knocks her down. She struggles with money. Her parents aren’t supportive. She thinks she’s not good enough. Maybe she needs to stop. Yet, she keeps coming back. Maybe she’s a fool. Maybe she’s stuck in a loop. But she can’t step off the stage no matter what.

It’s a story of a woman, who keeps finding her way back to the stage again and again. Life knocks her down. She struggles with money. Her parents aren’t supportive. She thinks she’s not good enough. Maybe she needs to stop. Yet, she keeps coming back. Maybe she’s a fool. Maybe she’s stuck in a loop. But she can’t step off the stage no matter what.